2006 Re-revisited

Before I started this blog in 2008, I would send my "Best of 20XX" lists around to my friends via email. Back in 2015, I posted my list from 2006. For that, I just cut and paste the email right into the post. Bad spelling, worse punctuation and grammar. I'm leaving the ugly in. This time I went and listened to almost the albums to reassess my feelings almost 20 years on. Comments with better spelling, punctuation, and grammar. Results below.

1. Mastodon - Blood Mountain (2006 - no comment)
2025 - I wouldn't put it at the very top but it's probably still my favourite Mastodon album.

2. I Hate Sally - Don't Worry Lady (Very close second, great mix of styles, great live, and awesome people)
Of all these albums I listen to this one the most. By a wide margin. Considering this is a favourites list, move it to the top.

3 . Lamb Of God - Sacrament (I got the invitation, and I am going!)
There are some good tunes on here. But it would be nowhere near this high now. They just feel too one-dimensional to me. Randy is a fascinating guy though.

4. Kalas - Kalas (Matt Pike! incredible first, last and only album. R.I.P. Kalas)
Incredible seems like a stretch. I still dig it. I had largely forgotten what it sounded like by 2010. With Spotify I do go back to it often enough but I don't own a physical copy.

5 . Slayer - Christ Illusion (They still got it! and Lombardo is back!)
Yeah, still a pretty good Slayer album. Better than the two that came after. But not one I go back to.

6 . Accept Death - Accept Death (Death Accepted. Cool samples, great doomy feel, scary vokills)
Jesus H Christ. I had totally forgotten about this album until I heard it again. Pure fucking evil sludge filth. It's not streaming so I have to hunt down a physical. It's on youtube though. Save and download.

7 . Deicide - The Stench of Redemption (I am SO glad Benton didn't kill himself at 33)
This might be the last Deicide ablum I was really that in to. I know I've heard later ones but wasn't "in to" them. This one has some serious shred going on.

8. The Abominal Iron Sloth - s/t (uh, it's real good)
I had kinda forgotten about this one too. I won't fucking do that again! Heavy fucking shit motherfuckers!!

9. Kylesa - Time Will Fuse It's Worth (Two drummers, two vocalists, too good)
This is the album that hooked me on Kylesa. Still good! Shame on me for not owning this either. And for never publishing the interview I did with them a couple years later.

10 . Kataklysm - In the Arms of Devastation
Definitely not in the top 10. I dig Kataklysm. I don't listen to much death metal anymore but I went and saw these guys play last year. As good as this is it woulnd't make top 10 again.

11 . Jucifer - If Thine Enemy Hunger (not metal, not conventional, like Veruca Salt on LOTS of drugs) It was kinda weird listening to this knowing the kind of stuff they did after this. Still a great album. More "metal" moments than I may have indicated.

12 . Om - Conference of the Birds (two ex-members of Sleep crafting epic doom masterpieces)
Move this baby way up! Probably listen to this the most of anything else on this list. LOVE.

13 . The Sword - Age of Winters
Considering what's above this, move it up. Still lovin' it!

14 . Witch - s/t (This stuff makes you high just listening to it!)
While we are at it, move this up too. I like it more than their follow-up.

15. Napalm Death - Smear Campaign (grind at it's best)
Oh, my Napalm era. I barely made it through listening to this again. I said better things about albums after this but I wouldn't care if I never heard them again.

16 . Sepultura - Dante XXI (who needs Cavaleras? I know Iggor played on this one)
Still alright I guess. They've done better without Max, they've done worse.

17 . Bury Your Dead - Beauty and the Breakdown (If you're gonna be metalcore, at least be good at it)
Is this really metalcore? I dunno. It's not bad. And it's honest. So many breakdowns. I had a hankering for this album (in 2025!) and it inspired this whole exercise.

18. Sworn Enemy - The Beginning of the End (token hardcore album)
Token? You could argue other albums on this list are also hardcore. This didn't launch me back into a hardcore phase or anything.

19. Lair of the Minotaur - The Ultimate Destroyer
One of those bands nobody talks about but that put out some cool stuff. Fun at least.

20. Black Cobra - Bestial (great tone, sounds like a giant tank plowing across the landscape blowing up everything in sight)
Move it up! I come back to this often. My 2006 comment holds up. I fucking love duos.

21. Hatebreed - Supremacy (formula starting to get old, just enough difference to make the list)
2006 comment holds up again. I don't listen to any of their stuff after this.

22. Saviours - Crucifire (another great "stoner" album)
Forgot about this one! Move it up! I need a physical of this.

23. Norma Jean - Redeemer (who knew christians could rock so well?)
Still a pretty cool, energetic album. Don't ask me about the lyrics though.

24. Scissorfight - Jaggernaut (if you like Clutch, you'll like these guys)
If you like Clutch interbred with Appalachian mountain trolls. So much damn fun. Move it way up.

25. Fucked Up - Hidden World (if this is fucked up, I don't want normal)
Nah, bro. I wasn't feeling it. 2006 comment invalid.

26. Dry Kill Logic - Of Vengeance and Violence (Cliff Rigano rules)
I still dug it. "Rules" may be an exaggeration. They put out a new single in May. I should check it out.



Top 5 "Really fun to listen to but not necessarily great albums"

1. Dragonforce - Inhuman Rampage (2025 - I listened to it all. That was more than enough.)
2. Funerot - Invasion from the Death Dimension (Tyrannosaur could be my fave song of the year) (2025 - That was fun! I feel bad I had forgotten about it!)
3. Cross Examination - Hung Jury (2025 - 'The Hung Jury' is the correct title. Also, fuck me for forgetting this! Super fun crossover! Fuck yeah!)
4. Venom - Metal Black (2025 - I didn't bother.)
5. Motorhead - Kiss of Death (2025 - I tried to listen to it. Shoot me. I don't like Motörhead. I don't know why I put this one here. I don't like Venom either.)

Surprise of the Year:

I Hate Sally - Don't Worry Lady (who knew I'd love a local band this much, and the fact that Mike Kopko hated it)

Disappointment(s) of the Year (other than no new Clutch):

Tool - 10,000 days (2025 - Most forgettable Tool album.)
Five Horse Johnson - Mystery Spot (JP from Clutch drumming, thought it would be better) (2025 - Same. Couple cool tunes.)
The false start (demise?) of Black Veil Choir (Justin Marler from Sleep)(2025 - I can't even find info about this failed project.)

Stuff I Thought I'd Like But Wasn't Really Feelin':

Trivium - Crusaders (bad lyrics) (2025 - I concur. It's 'The Crusades' though.)
Protest the Hero - Kezia (hate the vocals) (2025 - I concur.)
Isis - In the Absence of Truth (2025 - I actually listened to this three times. Better than I gave it credit for at the time.)

Compilation of the Year :

Sucking the 70's 2: Back in the Saddle Again (2025 - I didn't look for it. I will say it probably still is the best comp of that year.)

Collaboration of the Year :

Rebel Meets Rebel (2025 - I didn't bother.)

Top EPs of the Year:

Jesu - Silver (2025 - It was fine? Not something I'll go back to.)
Arise and Ruin - The Fear of... (Unavailable. I probably couldn't find the mp3s around if I tried. A burned disc or a hard drive somewhere but whatever. I have both their albums.

Album of the Month - April 2025: Conan - 'Violence Dimension'

Greetings, fellow voidfillers. I'm going back to Album of the Month for at least April. I'll note some other releases at the end but Violence Dimension from the mighty Conan definitely stands above the rest of the pack. The Mizmor/Hell collaboration stands pretty fuckin' tall but I'm not here to pit them against each other. Plus, the collaboration needs to grow on me to understand it's depth. Conan however, Conan has already put me six feet under and pushin' up daisies. It's fuckin' killer. I'll want to dig into the lyrics but if we're being honest I mostly enjoy Conan for the pure sonic bludgeoning. Being buried in fuzz. Vibrating with tone. Beaten senseless. Taken to a dimension of violence.

I'm pretty sure the Violence Dimension guitarist/vocalist Jon Davis is growling/yelling about is in some way the one we're living in. Earth on this plane at this time. Certainly feels like it anyway. I've come to realize that I either connect with an album and it's sound, or I don't. And I won't. The frequencies don't line up. I don't resonate into violent frequencies all the time. There's enough of that in this dimension. In a fight fire with fire kind of way, my shield against violent waves is itself made of violence in sync with MY frequencies. That's where Conan comes in. There are all kinds of violent music. Hyper-violent. Black, death, grind. Not the right frequency (most of the time). Crushing, hulking, muscular, fuckin' doom-sludge worthy of the Barbarian's name is a most effective defense. Anytime. Every time.

What isn't as consistent with Violence Dimension - at least compared to their previous three albums - is the man wielding the bass. This time it's former Fudge Tunnel bassist David Ryley. Chris Fielding returns solely to the producer/engineer's chair for this effort. Thank the gods he didn't abandon Conan completely. I don't think Conan would sound like Conan without him in that position. So what does that mean for the new album? I haven't worked that out scientifically, comparing and contrasting details of sound and performance and atmosphere across years of material. But my gut, my real brain, my gut said "capital Fuck Yeah, bud."

Maybe I didn't anticipate the frequencies of Violence Dimension lining up with mine so perfectly, or something, but when the hammer dropped on this bad boy the energy shot right through me. It felt more vigourous, more powerful, more effective than I was expecting for some bizarre reason. It gave me marching orders. As if drummer Johnny King issued a command. "We're fucking shit up with sonic energy. Get on board." Then boom! By the time we hit "Total Bicep" the sprint towards battles of warfare and death is downright lustful. Rage and heaviness and thunder and a fucking doom drop that takes you to your knees drags you to your feet again for a weary march to the next encounter.

The next encounter being the title track. It's a more subdued affair. At least at first. The nine-minute track starts with more space, somewhat majestic, not unlike the album cover. Still massive. It plods through its midpoint, drawing energy, expanding dimensional sonic horizons in waves of droning chords. Punishing gravity returns in the tracks later third, with a beastly growl at that. A track worthy of identifying the collective material.

I could go trying put sounds into words for more of the eight tracks but you get the idea. I've been a remorseless Conan fan since at least Monnos in 2012 and I've never lost faith so I don't know exactly why Violence Dimension hit me so hard. I won't complain. Aligned frequencies, I guess. Low, pulsing, menacing, tense, frequencies. I'll get carried away again here. I can't recommend this enough especially if you're already fond of sludgy, heavy as all fucks doom. Worship!



Also recommended from the April collection of releases: Mizmor/Hell - 'Alluvion', Action & Tension & Space - 'New Dimensions', Ponddigger - 'Nocturnal Hymnal', and Blackwater Holylight - 'If You Only Knew' EP.

And as always, every release I listened to in April all wrapped up in my April Spotify Playlist. The first 80 or so tracks are all from my seven favourite bands. The new release stuff starts after that.

March 2025: Matt Recommends

Greetings. Maybe I need some medicine or something because I can't seem to focus on these posts anymore. But I don't want to treat my ADHD with pills. So...late again and half-assed. My picks for March include the incredible return of an already incredible progressive sludge band, a heavy psych send-off, and volume 2 of a one-man trip. Let's get to it. I have a busy day to be capped off attending a Parabolus show (the Complete Tool Experience).

Rwake - 'The Return of Magik': Rwake's 2011 album, 'Rest' is one of my all-time favourite albums. I thought the band was dead. It happens. Some of my favourite albums are final albums from bands that just disappeared. (I Hate Sally, Astrakhan, others) Naturally I hit the roof when out of nowhere the title track for 'The Return of Magik' just dropped out of nowhere. And holy fuck the title is spot on. The magik is back! It's so heavy. It's so emotional. Expansive. Deep. Magikal. It's so Rwake. Listening to it in the proper isolated environment produces an out-of-body effect. I need to study this album. Really get into the lyrics. It took over a decade to put this album together and it could take that long fully wrap my head around it. It's gonna be tough to knock this one off the top of my year end list. Listen for yourself.



Dead Meadow - 'Yoyager to Voyager': To the detriment of the world Dead Meadow bassist Steve Kille sadly passed away due to cancer. While the band does plan to continue, 'Voyager to Voyager' stands as Kille's final contrbution to the band. Not only will it stand out in their storied catalog for that reason alone but regardless it's simply one of their best releases period. Sure, knowledge of circumstances influenced the listening experience but you can't argue with how good it is. How Dead Meadow it is. Dead Meadow is a band I just "connect" with, right from the first time I head 'Howls from the Hills' playing in a record store and bought it immediately. If I'd heard this one I'd do the same. Their style of heavy psych definitely takes me on a voyage. It takes a weight from my shoulders, lifts me away from the damp, cold earth with its dynamic sway and entrancing melodies. Again, I really need to dig deep into this record and really understand it. Maybe once my preordered vinyl and CD finally show up!



Futuropaco - 'Fortezza Di Vetro, Vol. 2': Unfortunately El Paraiso Records doesn't use Bandcamp and Futuropaco only has one release on their page so the embedded link will have to be Spotify. Sorry. How do I even describe the album though. There are elements of funk, psych, and weird, fun electronics? Maybe what I feel as "funk" isn't accurate but it feels funky to me. It's got a certain groove that gets you movin' while the keys, fuzz, and psychedleic flourish isolate the pleasure centers of the brain. Layers upon layers weave in and out of this psychedelic journey. Like most of the stuff I listen to anymore it's something to sink into. It's all instrumental by the way. Justin Pinkerton does it again. I'd recommend it for fans of King Gizzard, Budos Band (no horns but whatever), or a bunch of other stuff on El Paraiso like Causa Sui. Check it out.



Two all-time favourite bands and one I'm just getting into. If you want to know what else I was into in March, here's my As I Go March 2025 Playlist. Honourable mentions to 'Yun' by Pyres and 'Mentalism' by Mantras.

February 2025: Matt Recommends

Most of the February releases I wanted to check out droppped on February 28 so I had to take some time to digest them before throwing some recommendations out into the void. Speaking of the void...

Naxatras - V

It's hard to assign a particular sound to Naxatras. The Greek artists expertly blend prog and psychedelic rock with space rock and a bit of stoner. But V feels like a journey through space. Not emptiness but all the wonderful and awe-inspiring planets and places and processes we may never see. Their use of groove and rhythm on tracks like "Numenia" feel firmyl rooted in humanity and its earthly heart. Best of both scenarios. Anyone who has been reading lately should know how much "escapist" albums pull me in. V does just that. An expansive album able to push away the day to day. Naxatras binges are always a heavy trip.



Year of the Cobra - Year of the Cobra

We kick things up a notch with the newest from Year of the Cobra. Their third album just happens to be self-titled. It does feel like a step up but not a redefinitition that some bands do when releasing a self-titled that isn't their first album. You know what I mean. Again, it's not different from their first two albums just...more. The duo of drummer Jon Barrysmith and bassist-vocalist Amy Tung-Barrysmith (yes, they're married.) have added more emotion, more dynamics, more expression to their already doom-laden stoner heaviness. Amy gets more out of her bass than most guitarists with way more strings and you can really feel how much Jon is locked in. I've been a fan from the start. I feel like i've listened to Year of the Cobra more than Ash and Dust and ...In the Shadows Below combined though. And it's probably not even close. It's a banger.



Uncle Woe - Folded in Smoke, Soaked and Bound

You may also know I'm a dedicated fan of Uncle Woe. Obviously I'm going to include Folded in Smoke, Soaked and Bound. Now, Spotify says it was released February 28 and Bandcamp says March 1 so I'm putting it in February because I already have my three recommendations for March and I HAVE to include this one somewhere. Folded in Smoke is not an album but rather a 10" consisting of two 8+ minutes tracks. The 10" is pretty special and not for the casual collector but it's worth it for a big fan like me. I just love how Rain Fice and Mark Whitworth can move me with melancholy and despair. There's so much emotion and grace. And power. The band really put it best themselves, Folded in Smoke "ponders and sprawls and creeps and whispers and slithers, but still ends up as dead as everything else". Honestly, I'm envious of Rain's ability to make real the intangle feelings we have inside.



Honourable mentions to III by Yawning Balch (so good), and Dark Green by Tumbleweed Dealer (pretty cool). III by Red Eye and The Wolfe by Dope Smoker are pretty good too.

February Playlist -> RIGHT HERE Only Naxatras on this one.

Here's March too. it's pretty much done. MARCH PLAYLIST Year of the Cobra, Uncle Woe and others are here.

January 2025: Matt Recommends

Super late this time. Things. In the interests of moving on I won't say much. But, that's also kind of on purpose because the the bands whose albums I'll be recommending today don't say much either. They're either completely or mostly instrumental. A direction I've been leaning into more lately. Dig these three.

Fogdriver - 'Dancing Fire': This one really got my motor running. This German trio is actually four members. Their visual artist, Tanja, is considered a member and that's really cool. Now that would be a live show to see! I'm going to check some out on Youtube. Fogdriver are easily categorized as instrumental psychedelic space stoner post-rock. Pushing all the right buttons! I especially dig the bass. I like the way it drives over you. It's wicked. Groovy. Easy to get lost in. Spotify says this was released in January 2024 but that's wrong.



Mogwai - 'The Bad Fire': Full disclosure. This was my first time listening to Mogwai. Ok, maybe I did back in 2001 because I worked with a guy who liked them. I was young and stupid and not open to instrumenal post-rock. Now I am. I've yet to find out how typical 'The Bad Fire' is of their output but I liked what I heard. Reminds me of Godspeed You! Black Emperor. (The visual aspect of Fogdriver made me think of GY!BE.) A couple tracks have vocals. No biggie. They're not bad vocals. Going back for more of this one and back to 2001 to see what I missed.



bunsenburner - 'Reverie': Instrumental again as promised. This time heavier and with more elements of doom. Also from Germany like Fogdriver, and recorded in a live setting which Fogdriver does as well. They have to know each other, right? Don't let the black metal cat fool you. No screeching. Not vocally anyway, obviously. Some experimental tendencies let the guitar do some screeching though. A lot of the time it's either chill as fuck or groovy as hell. There even a bit of spaghetti western influence. There is a lot going on. And ya sure repetition is expected but bunsenburner don't drag it out too long. It's even got one of those "when the riff comes back...but slower" moments. At least one. Not your boring ass instrumental crap!



That's all folks. I have no more words today. Other than "check out my January 2025 Spotify Playlist". (I didn't hear Fogdriver or Mogwai until February. Good thing I was late.)

2024: My Favourites

(image generated using AI)

Here we are again. Another year gone by and another list of albums to call my favourites. Honestly, I think it was something of a "down year." There were plenty of albums that I absolutely love but the choices weren't terribly hard to make. Many of the bands featured are familiar names and all-time favourites. Almost a dozen are bands that are relatively new to me. Two of the bands don't even exist anymore. Almost everything will fit into the stoner/sludge/doom/psych sphere. If you've been paying attention here that should be no suprise. Enough babbling. Here are my 25 favourite releases of 2024 and then some bonus releases that I still think you should know about and that I might listen to in the future. Ear time is precious. Outside the Top Three the order is relatively artibrary.

1. Slomosa - Tundra Rock (Stickman): I discovered Slomosa's 2020 self-titled debut in 2023 via Weedian's Trip to Norway compilation and was completely hooked. Tundra Rock buried another barb. This time even deeper. High energy desert rock culling influence from obvious players like early QOTSA and Kyuss with probably some influence from the European scene like Dozer, etc. Tundra Rock just kicks so much ass that I had to list it above the masters of ass-kicking...

2. High on Fire - Cometh the Storm (Southern Lord): The flames are definitely high! I was cautiously sceptical about Coady Willis replacing Des. No need. Des will be missed and I do have his autograph on my original CD copy of The Art of Self Defence but Willis fuckin' gives'er, man! This new era is going to rule just as hard. Jeff Matz is doing some crazy cool stuff here and Pike, well, Matt Pike for President. Anyone who shits on the record needs to wipe their face after extracting it from their own ass.

3. Fu Manchu - Return of Tomorrow (At the Dojo): Any Fu Manchu album is going to make my list. Bias is real. But it still rules. All the talk about the album mentions the two "sides" of the album, one being more mellow than the other. I guess that's true but I didn't hear anything that didn't sound like Fu Manchu to me. "Mellow" is relative, I suppose. Bonus: I finally got to see Fu Manchu live this year. They only played for like 35 minutes and I missed the first 10 due to a doors vs. start of show misunderstanding. (ALWAYS show up early, Matt! Idiot.)

The rest (more or less in order of release):

Brugada - To Slow Death and Fast Riffs (Tone Zone): Canadian west coast outfit with former members of Astrakhan. Complicated and somewhat artful hardcore-eged prog-sludge? I dunno. The band actually split years ago and it took that long to get this album out. I didn't think I'd ever see the day. Now I have the cassette tape. Booyah! (January Album of the Month)

Fearbirds - Aux Blood (Batskull/New Damage): Another left coast Canuck band that feeds the aggro beast with members of other bands I used to love. Specifically Kevin Keegan of Barn Burner (and Dead Quiet but they're still going). The other members are scene vets as well. I think they split too. Their van bit the dust, they canceled their tour, and they called it a day. Seems kind of fucked but life goes on. (February AOTM)

Weedow - Weedow (self-released): Polish stoner doom trio. As smoked out as you would expect.

Kungens Män - För samtida djur 1 and 2 (Majestic Mountain): Experimental, avant-garde, psychedelic, meditative rock from Germany.

Uncle Woe - Oblivion and Further Disaster (Packard Black Productions/Owlripper Records): Depression Doom from the Ontario wilderness (not terribly far from me actually). Main man Rain Fice enlisted Aussie drummer Mark Witworth of X's for Eyes for this one (and Well from 2023). I don't do a lot of sad stuff these days but I almost have all the Uncle Woe records on vinyl so.... (March AOTM)

Rickshaw Billie's Burger Patrol - Big Dumb Riffs (self-released): I liked this one better than Doom Wop. All big dumb riffs. Makes you want to break things.

The Cosmic Dead - Infinite Peaks (Heavy Psych Sounds): Heavy psych space rock from Scotland. It's a long trip, man. One of my favourite sub-genres of music these days.

Bongripper - Empty (self-released): Their songs are instrumental so they aren't about ripping bongs but Empty will nonetheless take all your worries away. For about 66 minutes. The doom looms.

Eye - Dark Light (New Heavy Sounds): Jessica Ball of MWWB brings us Dark Light, a darkfolk, dream pop, electronic psych doom, and more exploration of feeling with new project, Eye. It's intimate and textured. It's hard to explain, and hard to explain what it is that draws me in so much. I like it that way.

Ufomammut - Hidden (Neurot): The Italian psychedelic sludge masters just keep pumping out quality stuff. I've been enjoying their drony, hypnotic, snyth-laden, industrial heaviness for decades and they haven't let me down yet. (May AOTM)

Beaten to Death - Sunrise Over Rigor Mortis (Mas Kina): Back to Norway. This time with the explosive melodic grindcore of Beaten to Death. Sunrise continues the sonic bludgeoning with the same playful ferocity I've come to expect. This is where I go for quick pent-up energy release.

Thou - Umbilical (Sacred Bones): I really should have this one closer to the top just in case someone doesn't read this far. This is where to go to feel absolutely crushed. The music is heavy but it also makes you feel the weight of humanity's suffering with each riff. I shouldn't have to explain Thou.

Causa Sui - From the Source (El Paraiso): Aaaaahhhh more escapist music. Instrumental, experimental, proggy, psychedelic rock. It puts me in the same space as Dead Meadow, Godspeed You! Black Emperor, and Colour Haze. There is a lot of good stuff on El Paraiso Records.

Penza Penza - Alto e Primitivo (Funk Night Records): Psychedelic and instrumental but this time it gets funky. And jazzy, I suppose. But I like how it makes me move. It feels good! Ow! (July AOTM)

delving - All Paths Diverge (Blues Funeral): This side project of Elder's Nick DiSalvo is so chill. Light and airy, psychedelic. Beautiful sonic explorations that just seem to flow naturally from one movement to the next. Similar vibes to a lot of the places Elder goes. (His other project, Weite, is a little different. See below later.)

Anciients - Beyond the Reach of the Sun (Season of Mist): If you like guitars, and lots of them, this is for you. I feel like Anciients have moved further from the sludge of "progressive sludge" into the prog end but still fucking rip. The songs are good obviously too but the big standout for me is listening to all those notes! (August AOTM)

Brant Bjork Trio - Once Upon a Time in the Desert (Duna Records): The legend Brank Bjork brings back his Duna Records label with this beaut with the legend Mario Lalli on bass. And that's what it sounds like. Yawning Man bass on a Brant Bjork album. Sweeeeeet.

Goat - Goat (Rocket Recordings): My favourite psychedelic funk rock collective brings more hip-hop style beats into the mix on this one and I'm obviously okay with that in this instance. It was my October AOTM and I described my feelings pretty well in that post. Yeah, I picked it over Brant Bjork Trio. It's that cool.

Sun and Sail Club - Shipwrecked (Heavy Psych Sounds): Tony Adolescent, Bob Balch, and BOTH Scott Reeders! Fast! Aggressive! Punk! Relentless! (Except the jazzy guitar yacht rock bookends!) Fuck off attitude! Not stoner rock!

Low Flying Hawks - Makebelieve (Sympatry Records): Hard to explain this one. Hypnotic, sludgy, noisy at times, art-rock, psych. But it's even more complex than that. Gothic. Emotional, through anguished screams or harmony. I still need to spend WAY more time with it. It just keeps getting better. October was a pretty hard choice for AOTM.

Hawklords - Relativity (self-released): I like this better than the more recent Hawkwind albums! The associations with Hawkwind are pretty loose at this point but Relavity occupies the same space. AI concept album. I dig it. But like, sci-fi Asimov stuff not ChatGPT or whatever. Plus, it's really cool space rock, man!

There they are. My favourite 24 albums of 2024. I cheated by lumping the Kungens Man albums together but who's counting? As promised, here is another bunch of albums I thought were cool enough to mention.

Elephant Tree/Lowrider - The Long Forever (Blues Funeral): Honestly, I kind of forgot about this one and I know I liked it but didn't feel comfortable putting it above. Oops.
Baardvader - When the Stars Arrive (self-released)
The Whims of the Great Magnet - FRYDOM (self-released): December AOTM
Weite - Oase (Stickman)
Cosmic Fall - Back Where the Fire Flows (self-released)
Tube Warmers - Fertilized Eggs and Honey (River Records)
Crippled Black Phoenix - The Wolf Changes Its Fur But Not Its Nature (Season of Mist)
Vessel - The Somnifier (Majestic Mountain): November AOTM
Babel Map - Teeth (Lost Future)
Ian Blurton's Future Now - Crimes of the City (Pajama Party): (The crimes are that for most of their shows in Toronto they don't go on stage until 1am or some nonsense.)
Godspeed You! Black Emperor - NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD (Constellation)
Mammoth Volume - Raised Up By Witches (Blues Funeral)
Free Ride - Acido y Puto (Small Stone)
Ainu - Ainu ((Subsound Records)
Rezn - Burden (Sargeant House)
Khruangbin - A La Sala (Dead Oceans/Night Time Stories)
Locrian - End Terror (Profound Lore)
Sons of Alpha Centuri - Pull (Exile on Mainstream)
Monkey3 - Welcome to the Machine (Napalm Records)

There are more but really, that's enough. Comment below if you have anything to say. Keep an eye for my playlists!

Album of the Month - December 2024: The Whims of the Great Magnet - 'FRYDOM'

December is always a month that doesn't have very many releases. Ya know, because list season. To really value something you have to sit with it a while. You have to. Countless times I've heard something once or twice and thought "This is fuckin' awesome!" only to sober up some and realize it's just okay. Just as easily, but less often, something could be a hard pass early on only to come back around under different conditions and it's a completely different thing. Decemeber doesn't allow that so I get it. That being said, recency bias and/or state of elevation should take nothing away from this month's favoured listen, 'FRYDOM' by The Whims of the Great Magnet.



A state of elevation could be gained just from listening to 'FRYDOM'. You can feel a sort of lightness coursing through the air, the psychedelic vibes lifting burdens from your shoulders as the crude material world dissolves away on "Baby Blue (Hit Song)". A little later "Sunstroke Serenade" plays around with a warm, grungy, garage rock energy and the "jam band" nature that permeates their output. There's a live version on Youtube that's pretty cool too.

It's not a terribly complicated thing really. But it doesn't have to be. I mean, their tag line is "slacker mellow yellow stoner jam band". I don't think anyone is slacking here, especially considering it's mostly the work of Sander Haagmans. His live band does not slack either. The mellow stoner jam thing is pretty spot on. The loud/soft dynamics aren't formulaic and seem to form naturally between and within tracks. Bluesy guitar work blossoms in the solos. Waves of psychelia wash between hemispsheres, between the ground and skies, all according to The Whims of the Great Magnet. I'm not completely sure what FRYDOM means but I'm taking it as the freedom to get fried and escape with this album for a little while. Check it out.

You can find "Reborn" and a track from their 2019 album 'Good Vibes and High Tides' on my As I Go December 2024 Spotify playlist along with a bunch of great tracks from the whole year as I worked on My Favourites of 2024. Stay tuned.

Other notable releases from December 2024:

Cogents - 'Desolace' (co-written, recorded and produced by Neil Fallon)
Ze Stoner - 'Desert Buddhist'
Kopilott - 'III'
Some Pills for Ayala - '...and we leave the planet?'