There has been a lot of talk recently about Dino Cazares. The whole Fear Factory fight, a new Divine Heresy album and what not. It got me thinking. Dino has done better than (later day) FF and Divine Heresy. Asesino!!



I still need to show up at a show with a mask like the drummer. So fuckin' awesome.

Phil Anselmo is the man

I recently came across a series of videos of Phil Anselmo speaking to a group at Loyola University. I've linked it here for you because you need to see it. Phil is my favourite performer ever. EVER. He speaks from the heart and chews a lot of gum. hahaha

Arrrrrrrgh!!

Swashbuckle - Crewed by the Damned: I'm new to this whole Pirate metal micro-subgenre. But I think I like it. I first heard of Swashbuckle from the track "Cruise Ship Terror" on the Nuclear Blast/Sumerian sampler. I love the track so I'd thought I check out more. When I went searching, Back to the Noose wasn't out yet. So I went back an album. CbtD sounds pretty cool, if not very polished. LOTS of "Yo ho!"s. It's very fun to listen to. I hope they don't mean to be taken seriously though.(I'm pretty sure they don't) That's fine by me! I like fun. I particularly like the thrashiness of it. And the gang shouts. (of Yo Ho! of course) There is a definite step up in terms of quality and production from Crewed by the Damned to "Cruise Ship Terror". Which means, Back to the Noose is gonna plank your ass!!

I don't know about the "eternal" part

Darkest Hour - The Eternal Return: Darkest Hour went back to their old producer (Brian McSomething) for this one. And yes, it harkens back to the good ole days of Darkest Hour. Rough and raw vocals and all that. But it doesn't fit. That's not really Darkest Hour anymore. Or maybe Devin Townsend turned DH into something they weren't? And now they've gone back? I dunno. But like I said, something doesn't fit. I think what it is, is that the vocals have gone back but the music still progressed. They still have that driving punky drum force and the guitar work is fantabulous. But uh, where'd Paul go? You know, the bassist? If I listen real hard I can hear him but it might as well not even be there for all it does. Not blaming Paul. He's good, I've seen him play. Solely blaming the mix. All in all, it's not a bad album but there's nothing really catchy enough about it to bring me back much. Besides, some of the solos sound very Dragonforce-ish. Yikes!

Chimaira ping-pong.

Chimaira - The Infection: This album had the shit hyped out of it. And deservedly so. Chimaira has released some great stuff. Just every other release. Let's start at the beginning. I can't remember the name of the first album (if I was at home, I'd just look on the shelf) but I liked it. I almost got a Chimaira tattoo ( I know someone who did). They reminded me of Slipknot. ( Another tattoo close call) Sometimes I get a craving for that album. Second one. Can't remember that name of that either. (might be on shelf at home) Bored by it. Here's how bored. I saw them as part of the original SOTU tour in Mississauga. During their set, a buddy of mine and I actually laid down on the concrete floor, and had a nap. No joke. No beers, no weed either. We were just that disinterested in seeing them perform we were able to nap on a concrete floor, with 100+ dB music playing. Third album, Resurrection. Aptly titled. Great album, nice comeback. The Infection, BORING. I guess that's being a bit harsh, but I think I've tried to listen to it 3 times and haven't made it all the way through yet. It just doesn't grab me. It feels contrived to me. Too many triggered drums. I feel it's too trendy. (I smell record label influence) Vocals and lyrics seem whiny and amateurish. At least I can bank on the next one being good! No doubt I'll try to listen to it again but it has some pretty stiff competition just in the "C" section of my iPod. (Clutch, Candlemass, Coalesce, Cobalt, Children....) Gonna have to do better if they want to stand out in the crowd.

More like Pray for Mercy!

Devildriver - Pray for Villians: First of all, how fucking long IS this?! It seems to go on forever. With every song just sounding like the last. Granted, I was listening to the version with bonus tracks but still, it was long. It wore out its welcome long before that. I didn't finish. I flipped to something else before the bonus track was over. The bonus track actually sounded like a better recording than the rest of the album. I used to like Coal Chamber, I used to like Devildriver. But I don't know about this one. I think the pedigree is a double edged sword. On one side, I did find some enjoyable stuff on it. Some catchy riffs, that sort of thing. But was I looking for them, for something to cling to? Maybe. On the other side, I was expecting it to kick some serious ass. It didn't kick my ass, that's for sure. It was decent enough but Dez sounds like he's trying to hard. Like it's forced. It just doesn't seem genuine. Better than most of the shit out there but I doubt it will be making my Best of 2009 list.

Because I suck

I should have been in Toronto last night. I should have been getting my doom on to Zoroaster, The Gates of Slumber and (the almighty) SerpentCult. But I wasn't. I was at work. Overtime. Because I suck. Instead I listened to a couple shitty albums on my breaks.

What do you get when you mix two parts Fear Factory and two parts Threat Signal? LinkinShank? Spinepark? Chester Santos? Useless nu-metal garbage? Close. You get Arkaea. Christian and Ray of/formerly of (the battle rages on) Fear Factory and 2 dudes from Threat Signal got together and made possibly the worst album of the year. While, I'm assuming, trying to be serious about it. Well maybe not the worst. (Oceano) But certainly not any good. It sounds like Spineshank without the electronics, or Linkin Park with balls, with a little FF influence. Raymond Hererra should be ashamed to be associated with this.

Speaking of Fear Factory members who should be ashamed...Dino, Dino, Dino. What is wrong, man! Who in the fuck! is that singing on the new Divine Heresy? (Bringer of Plagues) Possibly the worst singer I have heard in a long time. That's the best you could do?! Totally ruined a decent album. It could have been a better album for sure. Overall, I found it to be a bit repetitive but pretty rippin'.But the vocals...Satan help me.

Up next for listening, the new Behemoth and Kowloon Walled City.

Bored

I am bored and my brain is kinda mushy so I am gonna talk about the last 2 albums I listened to. It'll be brief and not very thought out.

Goatwhore - Carving Out the Eyes of God: First of all, what an awesome album title. Goatwhore has always been one of those bands that I know I enjoy but can never remember very much about them. That may change with this one. I think it's great. I've been in a phase lately that I need things to hit hard and hit fast. Carving Out the Eyes of God delivers that. If you know anything, you can hear the NOLA sound in it, but it brings more than just that. I can hear thrashier, punkier elements in it. I makes me want to headbang and mosh at the same time. Breakdown-free mosh, that is. They are touring with Abysmal Dawn so they obviously fit in with the death metal crowd. I could see them playing with thrash bands or hardcore bands too. I think this album is gonna get some heavy rotation on the ole iPod.

Warbringer - Waking Into Nightmares: I have always loved Warbringer. I like the new school thrash movement and they are in the upper tier. (Unlike Wolf. I can't get past the first 4 songs of Ravenous) I can't really compare them to any of the old school thrash bands because I didn't really listen to any other than the Big Four. If I HAD to compare them to one of those four, I'd say Anthrax. Not as evil as Slayer, not a riff-y as Megadeth and not as long-winded (?) as Metallica. I can hear more punk/hardcore influence in it, similar to Anthrax. But it's not really a strong comparison. The vocals really stand out for me. I like vocals that sound as if they have to sung with conviction. Like you can't half-ass it. Maybe that's why Hetfield sucks now. No conviction. Just do yourself a favour and check it out.

I am going to listen to Executioner by Mantic Ritual next. It's awesome.

And I can't wait to get my mitts on the new Swashbuckle. I have "Cruise Ship Terror" burned in my brain.

what I've heard today

Sea of Bones - The Harvest: I'll definitely have to listen to it some more but it sounded pretty good on first go. Very atmospheric and broody. Sounds nice and evil.

Stinking Lizaveta - Sacrifice and Bliss: Again, just a first listen. I thought it was great. I'm getting pretty picky with my instrumental stuff but this makes the cut.

Suffocation - Blood Oath: I already reviewed this one.

I just started listening to Seance - Awakening of the Gods. Sounds pretty good so far. I just hope it doesn't get same-y as the album goes on.

Quickies

Mantic Ritual - Executioner: Awesome! Total speed thrash!! Welcome back 1983!! Whiplash inducing!! Don't even try to keep up!! Where's my jean jacket?

Jungle Rot - What Horrors Await: Death metal. No bones. Punky beats, buzzsaw guitars. Rasped bellow vocals. There's good chugging goin' on but you can shove your breakdowns up your ass!

Wino - Punctuated Equilibrium: It's Wino. Nuff said.

Suffocation - Blood Oath

I don't have a lot of experience with Suffocation. I have heard Effigy of the Forgotten a couple times. Everything in between is unknown to me. About 1 song into hearing Effigy for the first time, I knew I was missing out. So I was pretty excited when I heard they were releasing a new disc this year. Blood Oath might just have one of the best album covers ever. It reminds me of the days before the Internet when you would buy an album just based on the cover. (That's what I did with my first Slayer cassette) I mean, that's some seriously awesome imagery.
Equally awesome are the tunes assaulting my eardrums (Thank Satan, I don't think I could stand listening to the Barbie movie my daughter is watching right beside me). I got a taste of Blood Oath on the Nuclear Blast/Sumerian sampler in last month's Decibel Magazine. The track was "Cataclysmic Purification". From what I have heard so far, it was a fair representation of the album. Old school death metal. No jazzy breaks, no fucking gay-ass breakdowns, no dual vocals. Just pounding, in your face, death metal. The way it's supposed to be. Ugly, brutal, uncompromising. Don't get me wrong, dudes have chops. The difference is, it's more from the gut. It's not "hey, look! We can do "this"!" just for the sake of doing it. I hear a lot of bands that are really good until they go into some totally off-beat interlude crap for no apparent reason. Just bring the heavy. What's really standing out for me how even though the drums and the overall feel of the music is full speed ahead, my head is banging slowly. Also, the vocals are incredible. Right up there with George "Corpsegrinder" Fisher. (Ha. My daughter stole my headphones and was dancing around to "Marital Decimation" Gotta start 'em young.)

I'll have to listen to Blood Oath more but it's absolutely one of the best death metal releases of 2009.

Holidays

I've been on holidays so I haven't been keeping up with the blog. I will tell you this:

The new Clutch rules.
The new Candlemass is awesome.
I still love LOG's Wrath.
I haven't listened to Blood Oath by Suffocation yet but I am sure it kicks ass.
As much as I don't want to admit it, the songs I've heard from Swashbuckle and Blackguard kinda rule.

Lords/Titan/Barnburner/Kill Martyr @ Bar None, Kingston, ON June 18, 2009

I'm gonna start by saying this was one of the best front-to-back shows I've been to in a while. There was no band on the bill that disappointed me. Even though I wasn't really familiar with most of the bands, I really got into it. Usually, if I don't know the band, I just stand there. But all the bands pulled me in. They didn't just come to play, they came to perform.

I'd seen locals, Kill Martyr, on plenty of bills, but I'd never actually made it out to see them. Well, I regret that! Finally a Kingston product, that plays shows (I'm looking at you, Excarnation) that doesn't sound like a million other myspace bands! It's hard to really describe their sound. Vocals are hardcore, that part's easy. But the the rest is like metal/jam/noisecore? Regardless of what they sound like, they believe in their stuff. The vocalist was all over the stage, the guitarists were headbanging right along, and the drummer was relentless. The bass player was kind of static, but I'll let it slide. I (used to) play bass and when I performed, I didn't move around much either. And, it wasn't a huge stage so there wasn't alot of room anyway once you have the backline up. I was really impressed by Kill Martyr and I would have bought a shirt, but I didn't budget for it and I know I can get one later. Because I will be seeing them again. Guaranteed.

Montreal's Barnburner are hard to really categorize too. Nice and fast. Great presence. They were a good compliment to Lords. They have a real Southern kinda swagger to them. When I thought about who they reminded me of, I kept thinking of Iron Giant and Bionic. But alot more "in your face". The vocalist sort of reminded me of Electric Wizard. Just his tone or the way he trailed off sometimes, I dunno. Great band. Lots of fun.

Titan. Who I came to see. Man, were they good. I'd seen them play with Fuck The Facts a few months ago for the first time and they blew me away. I knew of them before that because a good friend of mine was in a band with one of their guitarists. But, on their first EP, they were more hardcore oriented, and I'm not a huge hardcore fan so I never really paid them that much attention. Well, they've got my attention now! Their new EP, Colossus, is amazing. And much to my utter delight, they played most of it. The only song I didn't know was "Proceed". I believe that's an old one. Anyway, they played "Next Winter" from Colossus. Probably their heaviest song and one of my favourites. I was really into their set. My neck is pretty sore today. I probably looked like a damn fool, headbanging, little bit of air guitar, pounding on my leg and stuff. I don't care. That's what happens when the music speaks to you. All inhibitions are gone. (a couple beer help too) That light switch goes on and nothing exists but you and the music. It doesn't happen often, but when it does, it's a beautiful thing. No power outages this time. Good thing, I wouldn't have wanted to miss anything! (For more posts about Titan, check the archives for a previous show review and a review of Colossus)

I knew I had heard Louisville, Kentucky's Lords album, Fuck All Y'all Motherfuckers before, but I couldn't remember what they sounded like. I knew I didn't not like them. But I still had no clue as to what to expect. I guess when you don't expect anything, you can't be let down. Right? I wasn't let down at all. I was treated to a set of PBR-fueled intensity. Edgy, southern-fried punk. I think what impressed me most was the speed and nimble fingeredness of the bass player. They reminded me a lot of the band Speedealer. That's a pretty hefty compliment. My shit ass memory is rearing its ugly head again and is sapping me of further details. But I will tell you, if you have the chance to see them, fucking do it. Y'all.

Random bits

Other albums I tried to listen to last night but just wasn't in the mood for: Giant Squid - The Icthyologist, Hooded Menace - Fulfill the Curse, and one by Eluvitie.

I listened to Oceano a few weeks ago. Yup, they suck.

I listened to Iwrestledabearonce a little while ago too. They didn't suck as much as everyone says they do. At least not the EP. Maybe the new album is really really bad. I hate the one dude's hair, and the singer chick looks like Jeanne Garofalo.

I still haven't finished transcribing my interview with Kylesa.

I haven't listened to "50,000 Unstoppable Watts" or "Abraham Lincoln" by Clutch in a few days. I do believe I have developed a tick.

Inevitable End - The Severed Inception

I didn't really like this one either. Not near as bad is Impending Doom though. I just really didn't like the vocals. A couple times I remember hearing punk toned guitar riffing over the deathcore vocals and drumming. WTF? I could still envision kids with bad haircuts doing that bop-sway "dance" they do. You know what I mean. I made it through the whole album but I really tuned out after a while.

Impending Doom - The Serpent Servant

I don't know why I downloaded this. The album title? Maybe I thought it was evil? Nah, I'm pretty sure they are Christian, and I'm pretty sure I knew that going in. Whatever the reason, I'm glad I didn't pay for it. At least with money. If they are Christian-core, I couldn't tell. I couldn't make out any words!! I usually don't mind that but you're not going to win over the heathens with mindless growling. There's plenty of J.C. hating bands out there who can do that. Vocals and lyrics aside, this album has more breakdowns than Bury Your Dead. You know, the band that has an album called The Beauty and the Breakdown? I don't know how the guitar player(s) could ever masturbate properly. They've got no rhythm! I never really want to hear The Serpent Servant again.

Toxic Holocaust w/ Dirty Lickens May 29 @ AKA Autonomous Social Centre, Kingston, ON

KPP does it again!! There have been so many incredible acts passing through Kingston lately. Who needs Toronto?! This time the festivities were hosted at the awesome AKA Autonomous Social Centre. I love this venue! I'm pretty sure my living room is bigger but that's what makes it so cool. I don't think my wife would want me hosting metal shows at our house, but at least I know it can be done. Tubby Custard and P!cked On were supposed to open but apparently they both broke up. So Dirty Lickens opened instead. I don't think I've seen a stranger combo of opener to headliner. Ever.

Dirty Lickens ( I keep wanting to say Smelly Lichens for some reason) was really not anything like you'd expect to see opening for Toxic Holocaust. I asked Marc before they went on what they were like. He told me they were punk kids playing folk music. A pretty fair description. Accompanying the bass, drums and guitar was an acoustic guitar, a banjo and I believe a ukulele. They played some pretty upbeat punk-tinged bluegrassy stuff. I hesitate to call it punkabilly though. Maybe it is. I dunno. Either way, it's unique flavour was kinda refreshing. Nice to hear some kids doing something different instead of every Tom, Dick and Harry breaking down with deathcore slam. It certainly was good beer drinkin' music. And I still can't get their take on " Big Rock Candy Mountain" out of my head.

I didn't really know that much about Toxic Holocaust other than that they kick ass. I knew some dudes from Rammer were playing with them now. And I had seen a picture of mainman Joel Grind in a magazine once. Said picture gave no sense of scale. He was much bigger than I thought. No giant, but for some reason I pictured him being more my size (5'7", 175) No matter his size, his stage presence was huge! You can really tell this guy lives and breathes his music. Speed and thrash metal course through his veins. I only knew the songs from the latest album (2008's An Overdose of Death) but I could have known none of the tunes they ripped out and still have rocked out as much as I did. I am glad they played "Feedback, Blood and Distortion" though. That one is stuck in my head too. They had the place throwin' horns and bangin' heads like it was the last metal show on earth. I got more armpit-to-the-face from Dan in the Sodom Shirt than I'd care to, but I didn't care. I was too busy enjoying the show! It's been a while since I've been to such a pure headbangin' show. I'll bang my head to just about anything, but this made me want to grow my hair out even more than I already do. Everyone was having a great time. I'm really glad I didn't get stopped by the cops on the way home. I had so much beer spilled on me, I coulda failed a sobriety test. There was a girl there taking a video of the show. I asked her if I could get a copy. I told her she could contact me through this site and wrote it down for her but she was really drunk so who knows. If I do get it, I'll post it on here so you can see for yourself what a great show it was.

I gotta say, the atmosphere at AKA that night was great. I felt very comfortable talking to people. I usually don't. Met some new people, found out who some people actually were, cross-invasion of personal spaces, and generally stayed out later than I probably should have. If I lived in Kingston, I might hang out there more. But since I don't, I'll just have to wait til the next concert.

Stay metal, my friends.

Big Business - Mind the Drift

Big Business - Mind the Drift: Some businesses you can trust to deliver quality. Most often these are small businesses. They know their customer and what they want. Bigger businesses only see the bottom line. Well, the bottom line with Big Business is all about awesome. On Mind the Drift, they deliver high quality awesome. I can't get enough of this album. Every time I hear it I envision a story as told by an old sea dog in some run down tavern. Embellished beyond all reason so as to make it sound like the most epic tale a sailor has ever heard. Maybe it has something to do with the power of the bass. Guitar not fish. Jared Warren's bass is much more prominent in the mix and evokes a sense of the immense power of waves rolling across the seas to crash on shorelines and boat hulls. Even the guitar sounds of new member Toshi Kasai sound like echoes off a cliff. All of which puncuated by the rumble and crash of the Coady Willis' drums. I love how the vocals convey a sense of authority without restorting to outright screams. Very dynamic too. This whole album is laden with hooks. Not in a commercial sense though. It's just the way they write songs. It just might be their best album yet. If you were ever in doubt as to whether or not you wanted what Big Business was offering, Mind the Drift is the dealmaker.

Dreaming Dead

I wanted to tell you something about Dreaming Dead, but I can't really. I've listened to the album on my last couple breaks at work but I can't remember anything about it. Even the name of the album! [ed. Within One] It has served fine as background music while I read a book though. It's not insultng my ears to listen to it. That means it's not half-bad. I dunno. Maybe 3rd or 4th listen will bring some sort of, well, something. It's just not drawing me in.

Up next, Warbringer - Waking Into Nightmares!!!!!!!!!!

After taking a glance at their myspace, I'm gonna have to give this one a second chance. The singer is a chick! Maybe when I am done listening to the new Pestilence.

I feel stupid

A) I didn't hear about the 2 show Sleep reunion until now. I couldn't have flown to the UK anyway, but, it's fucking Sleep!!! Sleep changed my life!!!
B) Chris Hakius quit OM? What fucking rock have I been living under?!!! I used to email Chris alot when he was in The Sabians but lost contact when that (incredible) band split.

Goddammit!!!

I accidentally put my iPod through the washing machine yesterday. FUCK!

I'm gonna try and send it back and see if Apple will replace/repair it. I've only had it since Christmas. I really don't want to have to buy a new one. It would be like renting this one for $30/mo. I didn the same thing to a much cheaper mp3 player about a year ago. When will I learn not to leave it in my sweater!!

In the meantime, I am using my phone and a micro-SD card. Not the same. Plus, it will throw off my iTunes playcount.

Shit!!

Another new Clutch song!!

Streaming on Ultimate Guitar!!!!

Adversary - Singularity

Adversary - Singularity: This album started off pretty well. Nice fast rythms, screechy-growl vocals. Both legs were air-pedaling under my table. Then some clean vocals came in. Still not bad. The more I listened to it, the more I could hear nu-metal type stuff. Blended with KsE-brand metalcore without being too sissy. Until the ballad. Man, I hate ballads. It kinda lost me after that. I could hear more of what sounded like Disturbed with split personality vocals. Disturbing. Still kicks Disturbed's ass though. Some pretty catchy riffs in there. They'd make a great opener for a show featuring Disturbed, KsE, and Trivium. I can hear the minds of Hot Topic kids blowing right now.

New Clutch Song!!!

Satan is smiling on us today brothers!!!

Check out the new song "50,000 Unstoppable Watts" here!!

Thanks Metalsucks.net!!!

New album Strange Cousins From The West (Weathermaker Music) drops July 7!!!!

Another one for the "Where the FUCK have I been?!" file

Suffocation - Effigy of the Forgotten: What a magnificent slab of old-school death metal!! Wicked growls, not overly technical. Me thinks I need to delve into their back cat. Very deserving of it's induction in the Decibel Hall of Fame.

Speaking of the dHOF, I need to thank Decibel for inducting Discordance Axis - The Inalienable Dreamless. I checked it out too and it's fucking awesome. I knew of Jon Chang from Haiyano Daisuki (and the other band he was in that released an album last year. fuck my memory sucks.) and I love his vocals. I like pissed off music.

I wonder what gem the dHOF has picked out for me this month? (I should get my issue today)

Chimaira - The Infection

Chimaira - The Infection: I am not going to say that much here. Basically because I don't think it deserves that much of my time. I've listened to it three times now and it wasn't any better the second or third times. I didn't even have high expectations. I really liked their first album, not so much the next, Resurrection was good. The Infection has me reachin' for some antibiotics. It seems really stagnant. I don't expect them to be huge innovators but it doesn't sound like something a seasoned band would release. Anybody could make this record. At times it can get my head bobbin' but for the most part it's just the same ole metalcore we've heard from too many bands for too long. Their attempt at artsy/prog on "The Heart of it All" is seriously weak. Despite the praise metalsucks.net had laid upon The Infection, I'm gonna pass.

Kylesa/Intronaut + locals @ Bar None, Kingston, ON May 3,2009

Kingston, Ontario was host to a very special treat Sunday night. The mighty Kylesa from Savannah, Georgia and L.A.'s Intronaut stopped by on an off-date from their tour with Mastodon to shake Bar None to its foundations. Kingdom of Noise had the very special honour of interviewing Kylesa's Phillip Cope and Laura Pleasants before the show. The interview will be posted at a later date. Warming up the crowd on this night was Chase the Day and Tubby Custard.

Chase the Day opened up the night. Not too bad for a bunch of young guys. The vocalist did his best to look like Phil Anselmo without all the tattoos. Cargo shorts, muscle shirt and the mohawk not spiked. I guess Jason Newstead did that too. Anyway, pretty standard death metal. Decent guitar work, standard drumming and plenty of effort from the vocalist. He seemed to go a little heavy on the random growls though. But still better than Chris Barnes. Performance wise, they have a ways to go. Other than the vocalist, they were pretty much a "stand there and play" band. Even the vocalist wasn't great in that department. Fist pumps, hunch over the monitor, some headbanging. But at least he moved. They call the openers "beer bands" for a reason.

Tubby Custard was a little better despite their name. I'd put these guys more in the metalcore/deathcore file. These guys made up for Chase the Day's lack of movement. They seemed to be more into it. That, or better at hitting all the notes while moving. Call me petty, but I couldn't get over how much the vocalist looked like a douche. He could scream well enough but he made me want to punch him. Before and after their set he was wearing one of those stupid flat-billed hats. Backwards. Strike 1. Under the hat was a haircut straight out of a 1975 yearbook picture (but not just straight and long, he had swooped bangs). Strike 2. Strike 3 came for his shirt. It looked like a sarong with buttons. I don't generally judge a book by it's cover but sometimes I'd just rather not see the cover. Again, pretty decent work from all members but nothing special. I have to take points off though. When you are an opener, and only play 5 songs or so, it's best to play all your own. And if you are going to play a cover, don't be so cliche as to play a Lamb of God song. At least do a Slayer song. Oh, and sarong boy kept doing that chicken neck thing. Kids these days.

Intronaut. Finally a band with some serious experience. I have to be honest, I was more into them in the Challenger/Void/Null days. I had a hard time getting into Prehistoricisms. I might have revisit it after seeing them live. It's been a while since I've seen a band with that amount of prog in their game. The prog is what I was having a hard time with on the album but I can really appreciate it more live. I was really impressed with the way they shifted tempos seamlessly. Also, the number of times I saw guitarist/vocalist Sacha Dunable use his pedal board was dizzying. How he can keep it all straight is beyond me. It was really odd to see bassist Joe Lester front and centre but it works for Intronaut. Since both guitarist (Dave Timnick being the other) were also singing, it balanced things out. Plus, the bass work in Intronaut is really prominent. I think that's where most of the prog is. My eyes were pretty much glued on his fingers for most of the set. Remarkable musicianship. What I wouldn't give to have half his talent. I have to mention drummer Danny Walker. I need to give him props for keeping everything straight given all teh times changes and jazzy breaks. Not your run of the mill "keep the beat" drummer. Not being as up on my Intronaut catalogue as maybe I should be, and having a shitty memory to boot, I can't tell you just how much they delved into all their albums but I am pretty sure it was heavy on Prehistoricisms. I was pretty impressed. Enough so to buy a shirt. I just might go back and listen to the album again too. At the end of the set, Sacha said "We need some weed. So if anyone has some..." Good idea. I just might have to try that approach next time.

Man, I have been vibrating since I saw this show announced. I never thought I would get to see a band of this caliber right in my own backyard. I was sure I'd have to go to Montreal or Toronto for it. Needless to say, my expectations were pretty high. They did not disappoint. They brought their crust/sludge/doom and rocked our collective worlds! I wasn't sure how such an underground band would go over in Kingston. It seems to be a -core/emo town. So when I saw a) how many people were there (kicked Cattle Decapitation's ass by a long shot) and b) how into it they were, it made me smile. The only time that smile left my face was when I was screaming along. This is the second time in the last few months I have been overwhelmed by the presence of a female front-woman. (The first was Fuck the Facts) Laura commands the stage. She is just more proof that metal is not just a man's game. Phillip told me that he lost his voice a couple days previous and that he had no range, but I couldn't tell. Bassist Cory Barhorst was no slouch either. I really like the fact that Kylesa are a band effort. All 3 were involved in the vocals. Not just a front-person and their backing band. It should be no surprise that the most impressive part of the set was the drumming of Eric Hernandez and Carl McGinley. It was really something special. Nah, special isn't a good enough word. How about fucking unbelievable!! To see both those guys playing so tightly was mind-boggling. I would have been just as impressed if they only had one drummer, but seeing them with both was all-you-can-do-is-shake-your-head awesome. At the end of the set, that's exactly what I did. I turned to my buddy Mark McGee (Architect, Jesus Mullet,ex-I Hate Sally) and we both just shook our heads. We couldn't believe we had just witnessed that. As I mentioned earlier, my memory is the pits, so I can't give you a set-list but it was heavy on Static Tensions. I have been listening to all their stuff lately (interview research/refresh) so it all kind of melds together for me but you could tell which album they were touring behind. They could play songs from only Static Tensions and I would still be on Cloud Nine. It's the best album of the year without a doubt. I feel truly blessed to have been able to attend this show. There has been very few times that I have been able to see a band that I consider that legendary at all, let alone in such an intimate environment. I will start praying to the metal gods that they can somehow find their way back to Kingston. However, I will make the trip to Toronto if I have to (not tonight. I have to work). It would be more than worth the gas money.

Buried Inside

I just remembered that Buried Inside played in Kingston tonight. And I missed it. Because I am stuck at work. That would have been a great show. Spoils of Failure is an incredible album. Man, that sucks! Seeing as they are only a couple hours away hopefully they will be back soon.

KYLESA!!!

So I'm going to see Kylesa on May 3 with Intronaut and a couple locals (P!cked On and Tubby Custard). I am so fucking excited! It's going to be a long week of anticipation. I've been pretty much vibrating for the last couple days. I've been into them since To Walk a Middle Course. Obviously I checked out their earlier releases, and was just as impressed. Their overall tone or feel hasn't really changed that much but I feel they are getting better with each subsequent release. Their latest, Static Tensions, is just incredible (read review here). I'm ready to hand over Album of the Year right now. Nothing will top it. Georgia bands have been dominating my Albums of the Year lists the past few years. Mastodon in '06, Baroness in '07, (Amon Amarth took top spot in '08, but Black Tusk put in a good showing) and Kylesa in '09. The addition of a second drummmer and Laura's clean vocals have added new elements to their already textured and distinct repetoire. They don't allow themselves to be pigion-holed into any specific subgenre. I have heard them referred to as dirty hardcore. I can't really ageee with that seeing as it's hard to me to think of them as being in the same vien as say, Hatebreed or Terror or someone like that. I have also seen them billed as doom, but while I don't really have a problem with that, they offer so much more. I see doom as being much more oppressive.Not to mention evil and depressing. Being heavy and being oppressive and two different but not mutually exclusive things.

I'll be on Kylesa overload all week. I should really listen to some Intronaut to refamiliarize myself with all their work. I'll be checking out the new Chimaira (The Infection), as well as Heaven and Hell - The Devil You Know.

Cattle Decapitation/Psyopus @ Time to Laugh April 14, 2009 Live Review

Doors for this show were at 6. I didn't show up til 8. I doubt I missed much. I caught the tail end of the set by In The Act of Violence. I wasn't paying attention though. I was too busy checking out the Cattle Decapitation merch table. At which I scored myself a "We Are Horrible People" T. Awesome. Oh, and a button. Anyway, ITAOV had about 6 people standing at the stage for their set. And I have a sinking suspicion that most or all of them were from another opening band. On to the good stuff.

Psyopus was short a participating member. Vocalist Brian Woodruff had lost his voice and "won't be screaming at you tonight". It was clear that the 3 remaining members were rightfully disappointed by the turnout. Even before they said who they were, guitarist Arpmandude (Chris Arp) proclaimed, "This is a fucking joke". But the show must go on, right? Psyopus proceeded to blow my fucking mind. I had heard snippets before but not much. Even so, I knew to expect some pretty technical stuff. Technical is a gross understatement. (For those of you requiring a label, will spastic/math/techgrind suffice?) Honestly to (if you believe in a) god, 3 of the most amazing musicians I have ever witnessed. Complete mastery of their respective instruments. Touring bassist Travis Morgan had my jaw on the floor when he was warming up! Psyopus tried to put on a happy face through what must have felt more like band practice than a gig. They were able to laugh off the stupid shit yelled at them from the "peanut gallery" which I believe consisted of opening bands, me, and some chick in a Cattle Decap shirt. When some idiot told them to "play it right" or something like that, Arpmandude replied with "YOU fucking play it right!" Well said, sir, well said. That was probably the same kid who I overheard outside saying "That guy's probably been playing guitar since he was like fuckin' 2". Like I said before, the set floored me. I couldn't believe how incredibly tight they were. With all the stops and starts, the interplay between members and the unorthodox guitar tricks, I was left stunned. What I'd like to know is, how in hell do they even write that stuff? Let alone be able to play it so flawlessly?! Drummer Jason Bauers might just have the fastest left hand I have ever seen. (His right is no slouch either) Not only could he drill the snare with inhuman speed and fill with the best of them, his ability to mute the cymbals at those speeds was just awe-inspiring. Remind me again just how many fingers Travis has? He could probably teach Les Claypool of Primus a thing or two. I would really liked to have seen the whole package but their style is such that an instrumental set left nothing wanting. I believe they have played Kingston before (Ace's Top Card maybe) and I sincerely hope they are able to wash the bad taste out of their mouths that this show must surely have left. I'm telling ya, it was a sad scene to see such an incredible band play to a virtually empty club.

Psyopus' new album, Odd Senses is available now. Buy it. I know I will be.

Headliners Cattle Decapitation were subject to no less idiocy during their set. Yelling the band's name when there is only about a dozen people just doesn't have the same effect. Sounded like the same guy that yelled "Decapitate some cows!!" Right. Because that's their M.O. Senseless animal slaughter. Their M.O., is laying down a blistering set of black-death-goregrind. I was warned before the show that I might get spit on. Apparently vocalist Travis Ryan likes to spit up in the air and catch it in his mouth. I saw him attempt it once. Epic fail. Maybe the bad Indian food threw off his aim. (Curry in a Hurry?) Whatever the case, it had no effect on his ear-piercing, throat-shredding vocal acrobatics. From high pitched witch-demon howls to from-the-sewers-of-hell growls and back again in an eyeblink. Amazing. I kept waiting for one of two things to happen; the vein on his forehead to burst and splatter the faithful, or for him to throw up. At least that's same sounds and face I make after a hard night of drinking. Although, if he had simply passed out from lack of oxygen, I wouldn't have been surprised. Guitarist Josh Elmore had one of the most beautiful guitars I have ever laid eyes on. If I knew more about guitars I'd tell you what it was. But I don't so trust me, it was sweet. No "Save the whales" stickers on that baby. But it's not like he treated it with kid gloves. Oh no, he destroyed it. Not an inch of the fretboard was left free of his wrath. With an array of pedals laid at his feet, he proceeded to rip us a new sonic ass. When I saw bassist Rahsaan Davis on stage, something struck me as unfamiliar. Since I've never seen CD live before I had very little knowledge of what the band members looked like. What little knowledge I had as to their appearance would have come from myspace. So when I checked their myspace page the next day and saw Troy Oftedal listed as the bassist, I realized I am not as well read as I would like to be. My research dug up that Rahsaan is the international touring bassist, and as such he makes a damn fine replacement. Seeing as this show was in Canada, that would explain it. (Plus, he handled my transaction at the merch table. Thanks dude.) He was able to rip through the set like he'd been there since Day 1. And made me realize I need to practice more. Drummer Dave McGraw was a force behind the kit. I could barely see him for all the gear, but I could see the deep rooted intensity on his face. Someone in the crowed yelled out a song title and Travis asked Dave if it was okay. He replied in the affirmative with a kind of shrug that seemed like " Ya, why not? I know them all! What a silly question." In fact, all four members played with a fierce intensity. And it showed. Nowhere to be seen was any relaxed attitude. Metal and all it's fury was in their veins and on their faces. Too bad everyone missed it.

As sickeningly small as the crowd was, they stayed true to the "Gore not Core" mindset. I didn't see any karate kicks or combovers. No breakdowns or scene. No windmills or air-boxing. No skinny jeans, cocked hats, or two-steppin'. It was nice for a change. I really hope both bands decide to come back because I was really impressed . Psyopus made me a believer (sorry I didn't have enough available dough for a disc) and Cattle Decapitation made want to see what kind of Karma Bloody Karma and Humanure I can find under The Harvest Floor.