Showing posts with label Metal Blade. Show all posts
Showing posts with label Metal Blade. Show all posts

Tuesday, April 5, 2016

Metal Matt Recommends: Week of March 27 - April 2



I'm trying something new. Every so often I'll take what the last.fm generator makes for my collage, even though it's not an accurate representation of what my last week of listening was, and say a few words about each one. Sound like fun? I hope so. And I hope this gets me to pay a little more attention to Kingdom of Noise. Anyway, let's do this!

Blood Ceremony - Lord of Misrule (March 26, 2016 on Rise Above)

This album is fantastic! Somehow their previous album, The Eldritch Dark slipped right by me. I've yet to go dig it up because I can't stop listening to this one! Few bands do the "retro occult rock with female singer" thing as well as Blood Ceremony. Alia O'Brien is just one facet of what makes this album so good. The riffs are smooth and catchy, the mood is perfect, and O'Brien's double threat wins on both sides with her powerful voice and folky flute. Not to mention the songwriting. There have been days I've listened to Lord of Misrule on repeat from the time I wake til I turn in for the night and I was just as excited about it at the end of the day as I was at the beginning. This one's going to put up a good fight for Album of the Year.


Amon Amarth - Jomsviking (March 25, 2016 on Metal Blade)

Good ole reliable Amon Amarth. I named Twilight of the Thunder God my favourite album that year. They keep making new albums but they don't keep topping my list. See, at the time it was the first I'd heard the band. They were fresh and new to me and I loved it. But three albums later it's not fresh or new anymore. I still enjoy them but churning out album after album of the same stuff doesn't always work for me. It might for many but maybe I'm just not fun. Melodic death metal about Vikings and stuff is cool and all, and I don't even know what they could do to change it up, but it's getting stale at this point. Truth me told, I have enjoyed Jomsviking more than Surtur Rising and Deceiver of the Gods.


Conan - Revengeance (January 29, 2016 on Napalm)

CAVEMAN BATTLE DOOM!!!! Can't put it more plainly than that. Heavy as Hell doom battered out with epic screams and bellows carrying between the mountain peaks. They've picked up the pace a bit on this one, moving away from their stereotypical slow and steady march. Or at least the march you expect. No matter the pace Conan are great and Revengeance has become my go to album for when I can't decide. It delivers for me every time. It's bloody massive and I love it!


Black Cobra - Imperium Simulacra (February 26, 2016 on Season of Mist)

This duo can bring it. Punishing sludge with a sort of punk energy and tendency for violence. Their aggressive style gives the listener a thorough beating. Take High on Fire, the Melvins and the spastic nature of noise rock and blast it out of a tank as it flattens humanity before it and you get the idea. Black Cobra were supposed to play locally a couple years ago with Black Wizard and Anciients but they didn't get across the border. Man, that would have been a killer set. I love this kind of stuff live. My neck and back have different ideas though. It's been a few years since they've released an album but Imperium Simulacra makes the wait totally worth it.


Rotten Sound - Abuse to Suffer (March 25, 2016 on Season of Mist)

Who doesn't love Rotten Sound, right? Losers, that's who. They've long been a band that doesn't believe in reins and just lets it fly. Explosive grind with nuclear capability that knows when to slow down and let the heaviness do the torturing. Vengeful vocals tough enough to break down all defences. If memory serves correctly Abuse to Suffer is a little more controlled in general than 2011's Cursed and 2013's Species at War EP. But that doesn't mean the bone-breaking tone and bath salt-equivalent extremity don't make me want to dismantle the world with my bare hands. Because that's exactly what I want to do.


Church of Misery - And Then There Were None (March 4, 2016 on Rise Above)

I admit I wasn't all that into Church of Misery until now. Bear in mind that was more ignorance than distaste. I just didn't listen to them much. I've got a split around here somewhere. And neither was I much for Repulsion. Same. I might have heard Horrified a couple times. So I wasn't as excited as many when word came down that Scott Carlson was taking over vocal duties for a revamped lineup for And Then There Were None. But damn. This is killer shit. About killers and shit. I knew to expect that much. Slow jammed, Sabbath influenced serial killer stoner doom that goes down smooth and leaves a warm feeling inside from veteran musicians feels pretty good to me. Now it's time to dig in to that back catalog.


Wormed - Krighsu (March 25, 2016 on Season of Mist)

On Twitter I said Krighsu was like "I'm hurtling through a wormhole screaming about cool, interesting stuff but you can't understand a fucking word!" That was my first impression and it still holds. I just can't get with this kind of tech death. I just can't. I didn't like the latest Gorguts either. Or Obscura. Or just about any of the super-technical, piq-squeely writhing ball of space maggot stuff that falls into this style. Have at it though. I'll stick to Archspire. I can handle them.


Rotting Christ - Rituals (February 12, 2106 on Season of Mist)

I don't have any real knowledge of Rotting Christ's work before Aealo but I love that album. Kata Ton Diamona Eaytoy didn't stir up the same emotions for me. I can't say Rituals does either but it's pretty much what I expected from the Greeks this time. All their stylistic touches are present and accounted for and it's those Eastern and folk touches that set the band apart. They've got a massive sound lush with melody and power fit for crushing the enemy. It's the kind of black metal that makes you feel alive. The more I listen the more I like it so I have a feeling it will stick around my playlist for a good while.


Wytch Hazel - Prelude (April 22, 2016 on Bad Omen)

It's a fun album if not exactly the sort of thing I listen to regularly. Fairly dramatic, clean vocals, traditional heavy metal sort of thing. Not Maiden clones but he does hit some high notes. The press materials paint Prelude as a mix of Jethro Tull, Wishbone Ash, Thin Lizzy and NWOBHM. I can't argue with that. Based on medieval influences and sporting a sense of grandeur often found at LARP events, there's all kinds of uplifting moments. It's pretty good stuff for the style but there's only so much of it I can handle in one sitting.


Monday, March 11, 2013

AOTY #5: Bison B.C. - Lovelessness

One of my biggest regrets in life was not going to see Bison BC play a living room show on my 30th birthday. Okay, maybe not but that would have been the best birthday party ever!! Well, the semi-surprise party I had instead was pretty frickin' rad too. Riding an electric Vespa around the streets drunk in the middle of the night? Ya that was cool. Anyway, I wrote about Lovelessness for Hellbound.ca
Behold!!

Thursday, March 7, 2013

AOTY #8: Cattle Decapitation - Monolith of Inhumanity

I really should not have to explain why Cattle Decapitation's Monolith of Inhumanity is worthy of making #8 on this list. Monolith is an incredibly brutal display of top flight musicianship packaged as an absolutely vicious goregrind/death metal epitaph to all that makes this such a fucked up world. Especially people. Not to overshadow the contributions of the other members  but Travis Ryan is one monster of a vocalist. His howls and growls, shrieks and indescribable utterances go from one to the other in the blink of an eye. And it's not studio magic. I've seen him do it. Legendary. Monolith sees Cattle Decap at their most volatile and shocking yet. (Have you seen the video for "Forced Gender Reassignment?) It's kind of ironic for vegetarians but most animals are better than most people.

Saturday, February 2, 2013

AOTY #15: Pilgrim - Misery Wizard



I don't expect to take any heat for putting Pilgrim's Misery Wizard so high on my list but, I don't recall seeing it on any other lists. But that's okay. It's my own little gem. A little gem that holds down the #2 Most Played position for 2012. The album moves as fast as an amputee in 3 feet of snow which makes it feel as heavy as a lead tunic. The clean vocals beg to be sung at absurd levels with arms stretched wide, palms turned upward in praise. The album's six tracks crawl by in a sub-Sabbathian manner over the course of nearly an hour. However, "The Adventurer" provides a boost of energy before the monumental closer "Forsaken Man". Monolithic riffs, mountains of feedback (feedback makes me giddy), and powerful sing-along vocals adorn this massive slab of soaring doom. Slow and hypnotic, it entranced this listener over and over, ad infinitum.




Tuesday, January 22, 2013

AOTY #21: Cannibal Corpse - Torture



It's Cannibal fucking Corpse. Justification done. Fine, I'll write more. No one reading this can deny that Cannibal Corpse are the undisputed Kings of Death Metal. For 25 years now Corpse has been soaking the death metal landscape in blood, guts and gore. Torture is no different. George "Corpsegrinder" Fisher's hyperspeed growls, guttural bellows and shrieks front unfuckwithable musicianship. (Kneels at the feet of Alex Webster.)  For the most part, CC don't change up the formula on this release maybe other than "Scourge of Iron". It's pace is dropped back to a relative crawl. A comparative zombie in lead boots. But I can almost guarantee that lurching rhythm will be the riff stuck in your head. To reiterate. Cannibal.fuckin.Corpse. Torture. Don't make me (insert paraphrased Cannibal Corpse album title) you.

Sunday, January 20, 2013

AOTY #22: Horisont - Second Assault



I told you Witchcraft weren't my highest ranking Swedish retro-rockers this year! Horisont are a band I was unaware of prior to this year. I had heard some valued colleagues talking the band up so I gave in and checked them out. Am I ever glad I did. Second Assault sounds quite genuinely '70s retro. From the tones, to the riff style, to the slightly higher pitched and somewhat strained vocals. The riffs and vocal lines are catchy as they come and production is great. They don't sound like a band trying to be retro. They sound that a band that just IS retro. Most of the time I listened to this in the car (highly effective driving music and inoffensive to the family!), or on the kitchen stereo (any meal tastes better if prepared with Horisont playing), but on the headphones it just sounds sooooo good. That bass tone is dead sexy. The whole album is sexy! I'm a big hippie at heart so that fact that I love this is really no surprise. Just do yourself a favour and check it out. I don't think enough people have. It's criminal, man.

Wednesday, January 9, 2013

AOTY #32: Aeon - Aeons Black




I don't feel like Aeon get enough credit in the greater death metal scheme of things. Hopefully Aeons Black can change that. Aeon may lean a little more towards execution over evolution, but there's nothing new under the sun anyway. Aeon, and this album especially, slide right into the space on the shelf between Cannibal Corpse and Deicide. Gloriously blasphemous with a classic DM feel, Aeons Black is whiplash inducing and throat shredding. With killer riffs and satisfying solos, catchy vocal lines, and enough determined fury to burn down a stone church, Aeon are quickly becoming one of my favored death metal bands. Perhaps Aeon will win another Kingdom of Noise Death Metal Song of the Year Award. The "Where's your Saviour?! Where's your God?!" part in the title track makes a strong case!


Sunday, December 30, 2012

AOTY #40: Cancer Bats - Dead Set On Living



Toronto's Cancer Bats have become a perennial entrant on my Top 40 lists. Dead Set On Living. As with Bears, Mayors, Scraps and Bones, just squeaks onto the list. This band always makes me want to move and scream out the lyrics. DSOL took me a little longer to get into than previous releases but once it grabbed hold it never let go. 'R.A.T.S.' and 'Road Sick" in particular caused some sore throats. Their Southern fried hardcore (ugh, I feel so cliched even typing that) is basically a really fun, high energy formula for having a good time. Their positive energy rubs off on the listener. I am really looking forward to FINALLY seeing them live this February.
Buy it from Metal Blade here.

Thursday, January 5, 2012

#8: Primordial - Redemption at the Puritan's Hand



This is my Album of Second Chances. The first time I listened to Redemption (Metal Blade) I don't think I made it past through the first track. The next time I might have got past the first two tracks. I must have been listening to a lot of death metal or something because I just couldn't get past the vocals. But something told me to keep trying. If I ever find that something I'm going to buy it a horn of ale. I owe it at least that for saving me from potentially missing out on an outstanding album. I always thought Primordial was a black metal band. Probably due to the inclusion of the band in a black metal documentary I watched. But since this is the first Primordial album I've heard, I can't say how it compares to their previous work. I can hear flashes of black metal on Redemption but I don't hear it as a "Black Metal" album. What I hear is epic in every sense of the word. The sweeping melodies bring to mind rolling green hills and windswept cliffs. A.A Nemtheanga's vocals/lyrics hearken back to the days when kings meant something, battles were won with blood, not bombs, and man and nature coexisted in balance. Just listening to it makes me feel like more of a man. What I especially like about RATPH is how it is put together. Every individual performer is represented amazingly compositionally and/or production wise. AA tells the story. I croon along best I can but I can't match his timbre or command. I yearn to fully comprehend everything that he sings about. The guitars paint the picture beautifully and weave their tendrils around the pleasure centers in my brain. The tone and clarity (and the fact that I can hear it. Well. And always.) of Pól MacAmlaigh's bass warms my heart and soul like you wouldn't believe. The drums hold the whole thing together. The style and resurfacing themes that pop up in the drumming links all the songs together. I once tweeted that Primordial should soundtrack A Game of Thrones and I stand by that. Redemption at the Puritan's Hand makes me proud that I am of Irish ancestry.

www.twitter.com/MetalMatt_KofN

#9: Barn Burner - Bangers II: Scum of the Earth


Montreal's Barn Burner are one of Canada's best young bands. On the their second album, Bangers II: Scum of the Earth (Metal Blade) they have further entrenched themselves as such. These beasts of the stage are equally as stimulating in recorded format. Last year I snuck Bangers on to my list due to a release date technicality. That wasn't necessary this year. There's nothing sneaky about Bangers II. Right from the opening/title track "Scum of the Earth" (bitchin' video) you know this baby is rip-tits. But it's not the kind of album that sounds all "FUCK YEAH!" the first few times but fails to garner the same reaction a dozen times later. I knew this barn burner (he he) was going to rank on my list. But the fact that I never got tired of it and actually as I got to listen to it more and more and picked up more lyrics and what not, it continued to grow on me and that vaulted it to its current position. It became my preferred album for making boring things better. Cooking Kraft Diner, cleaning house, mowing the grass for 3 hours + Bangers II = a kickass good time! I probably did a better job articulating my adoration when I reviewed the album a few months so I'll leave you with this: Buy the album. Go to the shows. Party hard and have your face melted off. Support Canadian Metal!

Monday, December 19, 2011

#23: Hate Eternal - Phoenix Amongst The Ashes

When I talked about the Origin album I made note of its technicality coupled with its brutality. Phoenix Amongst The Ashes (Metal Blade) takes both those attributes and severely ups the ante. Most notably in the brutality department. Foul beasts of all sorts cower when faced with the unrelenting and merciless might of PATH. I can hardly listen to it without a scowl on my face as the fury of the double-kicks and speed-picking courses through my veins. The mastermind behind this gargantuan endowment upon my bleeding ears is none other than Erik Rutan. Producer, guitarist and vocalist extraordinaire. The living Death Metal Legend himself. His beastly roar could crumble mountains. The sweep picking and other craziness that opens "The Art of Redemption" is otherworldly in its virtuosity. I could believe that there are actually even more notes packed in there but the human brain just isn't fast enough to process them. It's amazing that the rhythm section of bassist JJ Hrubovcak and drummer Jade Simonetto are able to keep up with Rutan's onslaught. Yet they do. The evidence of which is perfectly presented in the title track. This centerpiece of the album earns 2011's nod as Death Metal Track of the Year. I dare you not to scream that chorus. It can't be done. Rise!! And behold the majesty of Hate Eternal.

www.twitter.com/MetalMatt_KofN
   

Sunday, December 18, 2011

#31: Amon Amarth - Surtur Rising

In 2008, I named Twilight of the Thunder God Album Of The Year. So naturally I had high hopes for this year's Surtur Rising (Metal Blade).  Initially, my hopes were dashed upon the stones of a cold, Scandinavian shore. There was nothing that stood out to me. I wasn't hearing an album-to-album progression. I feared the longships were moored in port, never to sail again. But I raised my banners and pressed on. What I discovered was an album that conquered and pillaged as savagely as its predecessor.  If a battle plan works, why change it? Through ten tracks, the Swedes continue to incite a blood lust with their powerful and melodic riffs. They are like virus that starts in the brain but soon infects the whole body. It makes a craven feel like a hero. An urge to don a longsword and march into battle rises as Johan Hegg growls the tales from Viking days of yore. They may not be conquering new lands but Amon Amarth holds firm dominion over the territory they rule. Any and all challengers to the crown are easily slain by their might. Crack open a cask of mead and raise your drinking horns! Rejoice in Surtur Rising!

www.twitter.com/MetalMatt_KofN

Tuesday, June 28, 2011

Barn Burner - Bangers II: Scum of the Earth (Metal Blade)

Sometimes a band sneaks up on you. That band that didn't really get tons of press. So instead of you seeking out that band, you just happened across them.  I saw Barn Burner as an opener for Kylesa. I thought they were alright but I was really focused on Kylesa so I didn't really give them a fair shake.  When I saw that they were coming back around, opening again, I checked out the debut album. That's when it hit me. Once I was able to focus on it, The full awesome slapped me in the face. "These dudes are pretty fuckin' rad!"
Fast forward to 2011. A year or so after Bangers became the fist vinyl I ever bought. (I'm a little behind on the retro format movement) I hear Metal Blade is releasing Bangers II: Scum of the Earth. Right.Fucking.On.Dude.
Bangers II makes the sophomore jinx look like a myth. In fact, it's probably better than their debut. It's a wonder these tour monsters even found the time to write and record 42 minutes of music, let alone music this good! The 10 tracks found within follow pretty much along the same stylistic lines as their predecessor without sounding like a rehash. While there's no doubt it's Barn Burner (thanks in no small part to vocalist Kevin Keegan's unique snarl) this isn't the kind of band you can get bored with.  Bangers II serves up a veritable riff-fest of stoner-thrash jams. They draw from the galloping rhythms of thrash and the swagger of stoner metal (much like fellow Canadians, Priestess) punctuated by the energy and attitude of punk.
As ripping as the album is, with the those nimble fingers dancing over the fretboard, the groove element keeps it at a pace that'll definitely keep you movin' but won't put you in traction. I've been trying to avoid using the word, but this album is "fun". I suppose that's something that tends to be lacking from a lot of metal these days. (At least good metal)  You can take the music seriously (please do) but it doesn't have to BE serious. How serious can it be with song titles like "Keg Stand and Deliver" and "Skid Marks The Spot"? Music is entertainment and it doesn't get more entertaining than Bangers II. Well, maybe their live show. It's what you need to see! I missed them last time they were in town. That's a mistake I won't make again. Especially since they'll be playing tracks from Bangers II: Scum of the Earth.
You heard it here: Canadian Release Of The Year.