Showing posts with label Ponderous Chain. Show all posts
Showing posts with label Ponderous Chain. Show all posts

Thursday, October 4, 2012

Ponderous Chain - Shackled




While I might not use the word "burgeoning" to describe the Kingston, ON metal scene, there are a number of talented bands around town. "Promising" sounds like a more apt descriptor. One of those promising young bands is Ponderous Chain and their self-released debut album, Shackled. I've seen the band perform a number of times and have witnessed the band's live show progressively improve. Unfortunately, I've yet to see them play while I was not in an "altered state". So it wasn't without a certain sense of excitement that I undertook the process of evaluating their work properly. The biggest and most obvious difference between the live, intoxicant-addled experience and the recorded material is the ability to actually hear everything. This is important because this progressively-minded five-piece packs plenty of nuance into their sound. Having the time to let those subtleties sink in helped to change my admittedly neutral perception of the band.  
It might be easy to play cut-and-paste with the band's influences, but not for this writer. Many of the influences either listed by the band or picked up by myself or others are somewhat out of my comfort zone. Progressive is usually a term I approach with caution. Maybe it's an attention span thing. But Ponderous Chain and progressiveness are inextricably linked. The band eschews traditional song structures, incorporating instrumental breaks (sometimes more than one), and neck-snapping tempo changes. Meshuggah are the most obvious band to have rubbed off on PC with their sharp, chugging riffs. Other influences (Opeth, The Ocean Collective) may be apparent but I have no tolerance for either of those bands (Don't hit me!). So any comparisons to them goes right over my head. But that's okay. I prefer to let the open, flowing passages between pummelling assaults wash over me without trying to draw parallels. 
While I would assume that jamming has some part to play in the process, the songs seem too "written" to leave much to chance. I'm not saying this in a bad way. In fact, it's what I expected when I first saw Ponderous Chain's lineup. I was familiar with guitarist Zach Aylesworth from his previous band, Rozea Haven. Having seen them perform a few times, Aylesworth struck me as a perfectionist. The few times he missed a note (which I couldn't hear) a pained expression would cross his face. Like he was coming as close to kicking himself in the ass as he could without actually doing it. So it was only natural that the intricacies found in Shackled would bubble to the surface. Teamed with fellow guitarist Colin Sinclair, the duo have crafted songs that can ground and pound one moment and challenge the listener the next. The songs have movement. Speaking of movement, the rhythm section of Jim and Dan O'Handley (bass and drums respectively) are well versed in dynamics, albeit in two different ways. Jim's rubbery basslines course through the album with fluidity. The phenomenal drumming Dan displays at times left my jaw agape. Not to be outdone, vocalist Christian Wolf's delivery lacks any stagnancy. I've seen many young bands with vocalists afraid to vary their bark/growl/roar to any degree. Not so with Wolf. Mixing the harshest of harsh with spoken passages and (almost) clean singing, he melds fittingly into the mold Ponderous Chain has made with lyrics on subjects such as the war on terror, revenge and sociopolitical ills. 
I'd be remiss if I didn't offer the band some constructive criticism. My points are minor and easily remedied. First, at times the lyrics sound forced and somewhat behind the music in terms of maturity. I expect that will evolve with time. Second, and this may be totally personal preference, but the five minute ambient piece ("Liquid Oracle") right in the middle of the album is a major buzzkill. Two relatively minor issues is really no big deal. Those points are overshadowed by the things that Ponderous Chain do well. The songs are well written and well performed. The songs are deep and layered enough that the listener is pushed to actually pay attention rather than let the album pass by as background noise. And while the progressiveness of Shackled is the main impression it leaves, the band still employs memorable riffs and the strong musicianship to really sink those hooks in. The band is young and eager. The fact that Shackled is as good as it is as a debut speaks volumes about how much potential is lurking behind Ponderous Chain. Do your self a favour and come out to experience them for yourself. You might have to come down here to Kingston to do it, but they usually open for some pretty serious acts so it would be well worth it. And besides, you might get to hang out with me.


http://www.reverbnation.com/ponderouschain

Thursday, March 8, 2012

BARN BURNER and guests at The Mansion, Feb. 25, 2012

Some things in life are a given. The oceans will be salty. The government will suck. And Barn Burner will put on a great show. It's natural. It's logical. It's a universal law. In this case, Barn Burner just happened to be headlining. As an added bonus, the three local support acts didn't totally suck. Win-win!
The night's festivities were kicked off by a band called Basalisk. This young band really impressed me. Definitely not a one-dimensional band, they mixed a handful of styles into their songs. I could hear influences ranging from Iron Maiden, to latter-day Mastodon and other proggy outfits. The keyboards were a pleasant surprise. I'm not much for keyboards unless  they're Hammonds and I was worried the Korgs would remind me too much of Dragonforce but that wasn't the case at all. I could put it this way, when I noticed the drummer was wearing a Scale The Summit shirt, I was not in the least surprised. The band gave me a copy of their demo and I look forward to giving it the full treatment in a future KofN post.
 I have to be honest. I don't remember much of Ponderous Chain. Their set coincided with the peak of my 3 tall cans of PBR buzz. I haven't seen them play with a clear head yet. It's not intentional though. The tiny stage at The Mansion can tend to hinder the performance of the band but these guys didn't let it get in the way. However, the somewhat technically precise nature of their music doesn't necessarily lend itself to much in the way of jumping around and such. I originally labelled them "Meshuggah-core". While not entirely inaccurate, it was kind of an off the cuff remark. While not nearly as "djent" as Meshuggah, that "flavour" struck me along with their otherwise melodic deathcore sound. I'd have to hear them again to really figure it out, but I can say, their performances have been improving each time I see them.
As of yet, I have been unable to find any sort of internet presence for Vera Pearl. Thus, I had no idea what to expect. Sometimes that's for the best. You can't be disappointed that way. There would be no chance of disappointment anyway. Vera Pearl floored me. Despite being down a couple regular members and having the venerable Dan Vokey (ex-I Hate Sally, ex-The Chariot) fill in on bass/vocals, they still delivered an extremely energetic and intense show. Math-core, noise-core, whatever you want to call it, it hit me like a cinder block to the face. Complicated arrangements, red-faced screams/bellows/yells, absolutely crushing (on a small kit) drums and a tight, tight performance left nothing to be desired. Except more of it. These guys could do some damage on the Canadian scene alongside KEN Mode and Fuck The Facts. And beyond.
 With what little hearing I had left at this point, it was time to damage some other parts of my body. You guessed it. Bangin' time! Montreal's Barn Burner blew the roof off that place. By my estimate, the turnout was low for a Saturday night. But what may have lacked in numbers, was counter-balanced by enthusiasm. Adequately lubricated by $4.25 tall cans of PBR, the gathering of bangers put on a clinic in "How To Fuck Up Your Neck." But that's typical for a Barn Burner show. Tunes like "Scum of the Earth" and "Holy Smokes" were made for banging your head. The Kingston show was originally supposed to be in support of Priestess (as I assume the rest of the date on the mini-tour were). But from what I hear Priestess is pretty much kaput. Barn Burner decided to press on and as such, turned the string of dates into headlining gigs. Deservedly so. During part of guitarist/vocalist K. Keegan's always entertaining between song banter, he informed the attendees that the last handful of shows all went very well. He said "That's what we call steady giggin'".That would actually sound pretty good as the name of their as yet untitled third album. Bangers III: Steady Giggin' sounds pretty good to me. In fact, Barn Burner played two songs from said (unsaid?) album. The first was untitled and the second was dubbed "No Rest For The WIccan".Both were rip-tacular. Don't you just love the BB play on words? As on other setlist inclusions such as "Beer Today, Bong Tomorrow "(one of my personal faves), "Dark Side of the Barn", and "Brohemoth". Their phenomenal set was bookended by "Earth's Crust" and "Wizard Island". They say "Saturday night's alright for fighting". Not this Saturday night. This Saturday night was alright for banging. I can't think of a better band for a night of beers, bongs, bangin', and the brotherhood of metal camaraderie. All hail the Giggernaut!!
Barn Burner's most recent release, Bangers II: Scum of the Earth is now available on vinyl! Get it here: www.barnburner.bigcartel.com  But, um, save me one will ya? I've been busy.