Showing posts with label Prosthetic. Show all posts
Showing posts with label Prosthetic. Show all posts

Sunday, November 13, 2016

Trap Them - Crown Feral



By now Trap Them have built quite a reputation as unfuckwithable purveyors of corrosive grindcore or "dark hardcore" as the Seattle-based foursome are often described. They've only strengthened their stranglehold on the upper echelon with new album, Crown Feral. Reception for 2014's Blissfucker wasn't quite as warm as that for previous LP Darker Handcraft but you'd be hard pressed to criticize this latest offering. It's 10 tracks force fed over 32 minutes that will have you choking on your own vomit trying to match their fierce intensity.

Opening with "Kindred dirt" Ryan McKenney barks over a slow build - like the deep breaths taken to steady the heart and mind - before plunging into the vortex of chaos unleashed over the next half hour. Once they get into it they leave no doubt that their fire burns hotter than ever. Trap Them slice and dice with buzzing guitars and percussion that just won't quit. The energy is off the charts. Adrenaline pumps so hard just listening to it that I can't imagine their live shows. Back when Blissfucker came out I even stated that if I saw them live I'd spend the whole time on all fours barking and snarling, foaming at the mouth like a rabid dog. I'd bark even louder now. Trap Them definitely have a way of bringing out our animal nature.

Few bands can tap into that feral side quite like they do. I won't get all hyperbolic about being the best this or the greatest that but they make it impossible to listen passively, especially during the hard hits on a track like "Prodigala". You just want to double down on the urge to unleash on everything in whatever way suits you best. Screaming, moshing or other such loss-of-self activities.

As much as Trap Them run circles around you in a buzzsaw fury, they can and do slow things down every once in a while on Crown Feral adding some dynamic flow to the album. Those moments still pull some groove amid riffs that blast like automatic cannon fire. In their "lighter" moments they bend and stretch your will with ease, as displayed on closer "Phantom Air" as at this point you've been made malleable and unable to withstand the onslaught. Have no fear though as the closing minute or so reignites the flame from still scorching embers and burns all to ashes leaving you no choice but to attempt escape through the harrowing portal that graces the cover. It will earn you no reprieve however as Crown Feral demands repeated listens under penalty of death as you're hurtled back in the chaos until you can simply stand it no longer.

Wow, that sounds cheesy. But it's true.

Crown Feral established its grip early and often, tossing you around like a predator toying with the kill firmly clenched in its jaws. The "quieter, slower" parts do provide some breathing room but I doubt Trap Them took your comfort into consideration when crafting their all-out assaults.

Face it. You're trapped. There is no escape. Give in to the violence, the chaos, the power. Channel it and use it, and grind it all to dust.

Trap Them on:

Facebook                Twitter               Instagram 


Monday, January 28, 2013

AOTY #17: Mutilation Rites - Empyrean



Yet another debut full length makes the list in the form of Empyrean from Mutilation Rites. This is one seriously vicious album of depraved American black metal. Yeah, it's depraved. It's American. And it sounds like it was made by depraved Americans. The album is relentless. Blistering speed is paramount yet the band can pull back when need be. But even at the tempered speeds, Empyrean is still punishing. Maniacal screeching vocals, filthy tone and killer riffs, and sickening drum work bring Mutilation Rites to the forefront of the blackened metal scene on this side of the pond. It's disgusting, it's grimy, it's sinister in every way and it gets better every time I hear it.

Thursday, March 8, 2012

Beneath The Massacre - Incongruous



I am trying not to rag on bands so much. Especially Canadian bands. But BTM's Incongruous just doesn't inspire my praise. Monochromatic death grunts over hyperspeed technicality completely devoid of any sense of melody. Yes, it's fast. Yes, it's extremely technical and executed brilliantly but it lacks any sort of soul. It's more of a simple display of chops than songs. The only times it slows down long enough to catch a breath is for mindless breakdowns. Incongruous has to be the biggest misnomer of 2012 thus far. Every song sounds completely interchangeable. I couldn't identify one from another if it was "Matrix-ed" on to my cerebral cortex. Is the title supposed to be sarcastic? Doubtful. If you were all about lightning fast riffs and drums, unintelligible grunts and growls and (admitted) brutality, Incongruous should do the trick for you. But if variation, a touch of melody and perhaps some breathing room sounds more like your style of death metal, steer clear.

If you want, the album is available now from Prosthetic Records.

Wednesday, January 4, 2012

#11: Skeletonwitch - Forever Abomination


You could almost have guessed that it was about time for another "fun" album. Forever Abomination (Prosthetic) is wicked fun. Skeletonwitch is able to take the feel of their live performance and replicate that in the studio. Listening to the album on any format is just as intense as seeing the band live. Every time I hear it, I can visualize the band on stage blowing the minds of the masses. This is metal. Pure and simple. Sure, there is thrash speed, black metal vocals, death metal imagery, NWOBHM guitar harmonies, ripping solos and furious blasting drums. But at the end of the day, it's just fucking metal. Uncompromising, relentless, beer drinkin', week smokin', pussy eatin', fucking metal. The Garnette Bros (Chance-vox, Nate-guitars), guitarist Scott Hendrick, bassist Evan Linger and new drummer Dustin Boltjes (ex-Demiricous) have distilled the art of kicking ass into some high octane, face-melting moonshine, motherfucker. It's an album that requires more than two hands to enjoy properly. Two for air guitar, one holding an invisible orange, one throwing some horns and one pumping fist. And one holding a beer. This is what metal is meant to be. \m/

www.twitter.com/MetalMatt_KofN

#13: Trap Them - Darker Handcraft

Image of Trap Them - Darker Handcraft (CD)
Few albums of 2011 had the energy or the stick-in-your-head-ness of Darker Handcraft (Prosthetic). I'm a sucker for that buzzsaw guitar tone and when that gets paired with some vicious hardcore swagger, it's a combination I can't resist. The machine gun (in slight slo-mo) riffs are supplemented with quick little fills, some jangliness and some massive riffs that would squash you flatter than an AT-AT. The anger portrayed in the vocals and their furious delivery are what I have tried to emulate all year. To very little success. The prospect of seeing Trap Them live some day sends shivers down my spine. I don't know if that day will ever come, but if it does, it's going on the calendar with a Sharpie. You know what I mean? Darker Handcraft also boasts this years winner of Riff Of The Year. I could listen to the riff that kicks in a 1:21 of closer "Scars Align" on repeat for hours. It's simple but highly effective. I don't listen to a lot of hardcore but maybe that's because not a lot of hardcore is as good as this.


www.twitter.com/MetalMatt_KofN

Sunday, December 18, 2011

#27: Book of Black Earth - The Cold Testament

This is another one of my favourite driving albums. The intensity and aggression of The Cold Testament (Prosthetic) makes it near impossible not to put the hammer down and barrel down the highway. Roaring along with the hardcore bellow of vocalist/guitarist TJ Cowgill on opener "Weight of the World" has kept me awake on the drive home after a night shift on many occasions. To be honest, any track on the album is worth shredding some vocal chords to. The Swedish death metal influence combined with the punch of grind and hardcore fuels an inner fire. Unleashing that inner fire through screaming with The Cold Testament is an incredibly effective stress reliever. Although few could match the prowess of Cowgill. How can you not be caught up in the anthem chorus of "Road Dogs From Hell"? "We are the road dogs from hell (X2)/Shit out of luck/Don't give a fuck/This is the life we chose/We are the road dogs from hell!" If that isn't tailor made to get a packed club screaming in unison I don't know what is. These guys would absolutely tear the roof off of any venue they play. And from the sounds of it, they play a lot of venues. Perhaps my favourite track on the album is closer "I See Demons". It's a somewhat creepy tome about (what I assume is) a mortician. "Taking possession of human remains/Everywhere I go, it's always the same/When I close my eyes, I can still see their faces....I see demons inside my mind" I'll just leave you with that. Kay? Sleep tight.

www.twitter.com/MetalMatt_KofN