Releasing an album in late October doesn't leave much time for scribes such as myself to digest it before the baying for year end lists begins. Luckily, The Obsidian Plains (Profound Lore) from Minnesota's Wolvhammer didn't take long to make an impression. Wolvhammer blends the cold and bleak aura of black metal with an almost catchy death'n'roll rumble. I can hear some of what may be a sludge influence as well but I can't call it anything but Black Metal. Especially considering the vibe that the demon-from-hell-come-to-kill-you-all screams of vocalist Adam Clemans. Given the black metal blasts and the infectious riffing I'm not surprised I love this album as much as I do. What does surprise me however, is the fact that it features former members of Nachtmystium and Across Tundras. (Jeff Wilson and Heath Rave, respectively) Both bands that I have never really enjoyed. Maybe that's why the are FORMER members. They wanted to make better music. Well, mission accomplished. The Obsidian Plains is the sort of blazing awesomeness you need to get you through a cold Minnesotan (or in my case, Canadian) winter. Bring on the bleak.
Showing posts with label Wolvhammer. Show all posts
Showing posts with label Wolvhammer. Show all posts
Saturday, December 17, 2011
Monday, February 7, 2011
My 40 Favourite Albums of 2010: 40-31
*DISCLAIMER! All rankings are based on 3 major factors. 1. I actually have to like the album. Nothing is included because it's on everyone else's list or because I think it would make my list look better. 2. I
can listen to it no matter what I am in the mood for. 3. Overall play count/I actually paid money for it. Remember, this is my opinion. It's not overly analytical. Most, if not all, rankings are VERY fluid.
Don't get your panties in a bunch because your favourite band is lower than "that fucking piece of shit band!"*
#40: haarp - The Filth (USA, Housecore): Filthy, slow and heavy as shit. A grizzly bear is dragged out of hibernation and forced against his will to party like Marilyn Manson at Mardi Gras. *The Filth* sounds like the morning after. The production could use some work but the album leaves me feeling exhausted and relieved. Just listening to it gets out all the anger and tension. It very cathartic. Standout track: "Plurimus Humilus, Ciacco"
#39. Cancer Bats - Bears, Mayors, Scraps & Bones (CAN, Distort): The first Canadian act on the list. These Torontonians continue to deliver their own flavour of Southern-fried hardcore. It's not much different (or better) than previous effort, Hail, Destroyer but why ruin a good thing? B,M,S & B is loaded with catchy riffs and scream/sing along vocals. This is tonnes of fun to listen to and vocalist Liam Cormier might have the most fuct-up hair in metal. Standout track: "Dead Wrong"
#38. Hour of Penance - Paradogma (ITA, Unique Leader): Italy's Hour of Penance shatter any preconception you may have had that Rome is a nice place. Nice places don't breed the kind of brutality on display here. Thisis fucking death metal the way I like it. Fast, brutal, and played with the kind of skill that lets you know these dudes are pro without being a total wankfest. (I'm looking at you Sumerian Records) If I'm in the right mood, this could rank Top 20 easy. I hear HoP just signed to Prosthetic. Hopefully
that means more people will be exposed to this wicked band. Standout track: "A Thousand Christs"
#37. Melechesh - The Epigenesis (NED, Nuclear Blast): Originally from Israel, Melechesh relocated to the Netherlands and I think the move had some influence on the record. Maybe being in Europe pushed them into a more straight ahead black metal album than Emissaries. Yet it still maintains plenty of Middle Eastern influence. Most notably in the cadence and instrumentation. This album could easily rank much higher but I
haven't had much time with it. Standout track: "Defeating the Giants"
can listen to it no matter what I am in the mood for. 3. Overall play count/I actually paid money for it. Remember, this is my opinion. It's not overly analytical. Most, if not all, rankings are VERY fluid.
Don't get your panties in a bunch because your favourite band is lower than "that fucking piece of shit band!"*
#40: haarp - The Filth (USA, Housecore): Filthy, slow and heavy as shit. A grizzly bear is dragged out of hibernation and forced against his will to party like Marilyn Manson at Mardi Gras. *The Filth* sounds like the morning after. The production could use some work but the album leaves me feeling exhausted and relieved. Just listening to it gets out all the anger and tension. It very cathartic. Standout track: "Plurimus Humilus, Ciacco"
#39. Cancer Bats - Bears, Mayors, Scraps & Bones (CAN, Distort): The first Canadian act on the list. These Torontonians continue to deliver their own flavour of Southern-fried hardcore. It's not much different (or better) than previous effort, Hail, Destroyer but why ruin a good thing? B,M,S & B is loaded with catchy riffs and scream/sing along vocals. This is tonnes of fun to listen to and vocalist Liam Cormier might have the most fuct-up hair in metal. Standout track: "Dead Wrong"
#38. Hour of Penance - Paradogma (ITA, Unique Leader): Italy's Hour of Penance shatter any preconception you may have had that Rome is a nice place. Nice places don't breed the kind of brutality on display here. Thisis fucking death metal the way I like it. Fast, brutal, and played with the kind of skill that lets you know these dudes are pro without being a total wankfest. (I'm looking at you Sumerian Records) If I'm in the right mood, this could rank Top 20 easy. I hear HoP just signed to Prosthetic. Hopefully
that means more people will be exposed to this wicked band. Standout track: "A Thousand Christs"
#37. Melechesh - The Epigenesis (NED, Nuclear Blast): Originally from Israel, Melechesh relocated to the Netherlands and I think the move had some influence on the record. Maybe being in Europe pushed them into a more straight ahead black metal album than Emissaries. Yet it still maintains plenty of Middle Eastern influence. Most notably in the cadence and instrumentation. This album could easily rank much higher but I
haven't had much time with it. Standout track: "Defeating the Giants"
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