Saturday, December 20, 2025
November 2025: Matt Recommends
Verona Florrist - Verona Florrist: This is an October release but I listened to it so much in November that my brain thought that's when it came out. Aaaaand I saw them live at the end of November so I had them on the brain! They were really cool live by the way. Super tight. It was while watching them that the thought sprang to me, "they sound like an electric wizard smashing pumpkins in a dead meadow". Some sludge, some doom, some grunge, some tenderness, and psych sensibility. Hopefully I can grab some merch next time. I would have but I donated all my available funds to the homeless assistance fundraiser the show was part of. Silent auction winner though. Heck yeah. The real winners are people that listen to this album repeatedly.
Danko Jones - Leo Rising: I'll talk with guys at work about how certain metal bands got boring because they haven't changed. What I should be talking about is how Danko fuckin' Jones never gets boring and doesn't need to change! Leo Rising is the energetic power trio's latest refinement to their well-polished formula for kickass hard rock! Punchy riffs, sharp hooks, and swagger for days! They've rocked so consistently for decades and it doesn't feel like they're slowing down. I love it when my summers get even hotter from tunes like "What You Need" and the absolute banger "Everyday is Saturday Night" but I'll take some fire music to keep my blood warm all winter just fine. The temperature outside is falling but the volume on the stereo is rising.
If you're interested, November's playlist:
Sunday, November 2, 2025
August 2025: Matt Recommends
Swaamp - II: Trippy, spacey, psychedelic journey lasting for an hour and a half. Blissed out meditations that rock, man. They have THREE monthly listeners on Spotify. Let's make some noise for Swaamp! And go listen dammit! (on Bandcamp though)
Tube Warmers - Volume 2: Not terribly different than Swaamp in general tone but more chill and less rock. Definitely a trip. Easy enough for far out background music too.
Tumanduumband - Hail Satan, Triumph Awaits: The name says it all. Satanic and triumphant. The aptly named Tumanduumband (a two-man doom band) move some heavyweight air plying a sinister style of droning instrumental doom maliciously stitched with dark samples. It is the sound of evil wrapped in a fog as heavy and magical as vaporized mercury descending and spreading through the underworld. Dance with the devil. It takes two to doom.
There you have it. Three trippy recommendations from August of 2025.
Tuesday, October 14, 2025
Album of the Month - July 2025: Hell - Submersus
On my older bass guitar I have a bunch of stickers all over it. On my newer guitar I have one. It says LOWER YOUR HEAD. And it came from Hell. It's their mantra, their ethos, their command. It's also an entirely rational thing to do when listening to the works of Hell's lord and creator, M.S.W.. New album Submersus is no exception. Crank it up, lower your head, and get doomed.
Led by a piercing stab of feedback "Hevy" delivers the first of five hammering blows spanning a tortured 41 minutes. Riffs march like trolls, menacing and fearless save for the light of day. Expansions of buzzing atmosphere bewilder and subjugate. Darkness becomes manifest. So much pain, so much release. Sliding right into "Gravis", gargantuan tone beckons across the wastes as if for war, yet already lamenting the fallen. Sickly rasps, bellows, and growls emanate from behind the wall of resolute energy. Tension leads to angelic clarity.
As the melancholy of "Factum" fades jagged peaks once again rise with towering might. Peaks reaching not for the sky. The domain of "Mortem" is deep and cavernous, stout riffs echoing inwards, pushing deeper and deeper into a realm removed from life. Slowly, gently, rising from the depths, "Bog". Breaking the surface a martial cadence takes hold, rot and black muck sucking at every footfall, fading back to darkness, alone and forgotten.
I hesitate anymore to use phrases like "best album to date" because context has so much to do with perception. But, Submersus is pure Hell. Everything that makes up the Hell experience is embodied here and has been refined to a deadly effectiveness. Best album of July 2025 is pretty easy to say however. Use it to siphon strength from doom and gloom, within and without.
Other releases at least worth mentioning: uh, Aank by Kombynat Robotron I guess.
As always, here's my Playlist for July 2025. One track from each release I listened to all the way through at least once. Lots of Black Sabbath and Scissorfight this month.
Saturday, August 16, 2025
Album of the Month - June 2025: Goya - In the Dawn of November
This album deserves a more well written review than I'm able to give you today. I forgot I hadn't posted one yet. But at no point did I forget about In the Dawn of November, the latest (and greatest) album from the mighty Goya. I've been keen on this Jeff Owens outfit since Obelisk came out in 2015 and all their shit is good. But as the kids say, this one just hits different. Maybe it's that bitchin' album art. Or that fucking tone. Or the songs that dig into you, become you, bend you, and crush you.
It sounds massive. Of course. But tone and volume don't mean shit unless you have the riffs to back it up. No worries, my dudes. Goya has the riffs you're looking for. Sludgy and bluesy and crafted into something with character and life. Characters and life factor into the lyrics even. Mourning lovers, depressed and angry people, you know, relatable shit. But sometimes in a fastasy occult/horror context. Like "Cemetary Blues". Or just straight up this-world-sucks mean mugging. "Depressive Episode" for example. And the great thing is, the lyrics are understandable. Which means the singalongs/lip syncing are near constant. It's like a Princess Bride of downer doom. It's got doom, depression, horror, romance, and beefy riffs. Oh, and dig the solos, people. Most often bluesy and sure to enhance the emotional response In the Dawn of November illicits.
It's just bloody fantastic. I'm pretty sure it has found more air time in my head than anything else yet this year. As heavy and dark as it is, it's still really catchy. Catchy doom is the shit. And I am not sick of it in the least. (See track 4, "Sick of Your Shit")
Well, this review exceeded my low expectations and honestly Goya exceeded my high expectaions with In the Dawn of November. I'm high while writing it and it's fair to say Goya were too. Boom! Even more relatable! Now let me go listen to it some more.
Before you go, don't forget to check out my As I Go June 2025 Playlist! Goya is 40 songs in. And tracks from my favourite albums from 2006 take up a good portion of it.
Friday, June 13, 2025
2006 Re-revisited
1. Mastodon - Blood Mountain (2006 - no comment)
2025 - I wouldn't put it at the very top but it's probably still my favourite Mastodon album.
2. I Hate Sally - Don't Worry Lady (Very close second, great mix of styles, great live, and awesome people)
Of all these albums I listen to this one the most. By a wide margin. Considering this is a favourites list, move it to the top.
3 . Lamb Of God - Sacrament (I got the invitation, and I am going!)
There are some good tunes on here. But it would be nowhere near this high now. They just feel too one-dimensional to me. Randy is a fascinating guy though.
4. Kalas - Kalas (Matt Pike! incredible first, last and only album. R.I.P. Kalas)
Incredible seems like a stretch. I still dig it. I had largely forgotten what it sounded like by 2010. With Spotify I do go back to it often enough but I don't own a physical copy.
5 . Slayer - Christ Illusion (They still got it! and Lombardo is back!)
Yeah, still a pretty good Slayer album. Better than the two that came after. But not one I go back to.
6 . Accept Death - Accept Death (Death Accepted. Cool samples, great doomy feel, scary vokills)
Jesus H Christ. I had totally forgotten about this album until I heard it again. Pure fucking evil sludge filth. It's not streaming so I have to hunt down a physical. It's on youtube though. Save and download.
7 . Deicide - The Stench of Redemption (I am SO glad Benton didn't kill himself at 33)
This might be the last Deicide ablum I was really that in to. I know I've heard later ones but wasn't "in to" them. This one has some serious shred going on.
8. The Abominal Iron Sloth - s/t (uh, it's real good)
I had kinda forgotten about this one too. I won't fucking do that again! Heavy fucking shit motherfuckers!!
9. Kylesa - Time Will Fuse It's Worth (Two drummers, two vocalists, too good)
This is the album that hooked me on Kylesa. Still good! Shame on me for not owning this either. And for never publishing the interview I did with them a couple years later.
10 . Kataklysm - In the Arms of Devastation
Definitely not in the top 10. I dig Kataklysm. I don't listen to much death metal anymore but I went and saw these guys play last year. As good as this is it woulnd't make top 10 again.
11 . Jucifer - If Thine Enemy Hunger (not metal, not conventional, like Veruca Salt on LOTS of drugs) It was kinda weird listening to this knowing the kind of stuff they did after this. Still a great album. More "metal" moments than I may have indicated.
12 . Om - Conference of the Birds (two ex-members of Sleep crafting epic doom masterpieces)
Move this baby way up! Probably listen to this the most of anything else on this list. LOVE.
13 . The Sword - Age of Winters
Considering what's above this, move it up. Still lovin' it!
14 . Witch - s/t (This stuff makes you high just listening to it!)
While we are at it, move this up too. I like it more than their follow-up.
15. Napalm Death - Smear Campaign (grind at it's best)
Oh, my Napalm era. I barely made it through listening to this again. I said better things about albums after this but I wouldn't care if I never heard them again.
16 . Sepultura - Dante XXI (who needs Cavaleras? I know Iggor played on this one)
Still alright I guess. They've done better without Max, they've done worse.
17 . Bury Your Dead - Beauty and the Breakdown (If you're gonna be metalcore, at least be good at it)
Is this really metalcore? I dunno. It's not bad. And it's honest. So many breakdowns. I had a hankering for this album (in 2025!) and it inspired this whole exercise.
18. Sworn Enemy - The Beginning of the End (token hardcore album)
Token? You could argue other albums on this list are also hardcore. This didn't launch me back into a hardcore phase or anything.
19. Lair of the Minotaur - The Ultimate Destroyer
One of those bands nobody talks about but that put out some cool stuff. Fun at least.
20. Black Cobra - Bestial (great tone, sounds like a giant tank plowing across the landscape blowing up everything in sight)
Move it up! I come back to this often. My 2006 comment holds up. I fucking love duos.
21. Hatebreed - Supremacy (formula starting to get old, just enough difference to make the list)
2006 comment holds up again. I don't listen to any of their stuff after this.
22. Saviours - Crucifire (another great "stoner" album)
Forgot about this one! Move it up! I need a physical of this.
23. Norma Jean - Redeemer (who knew christians could rock so well?)
Still a pretty cool, energetic album. Don't ask me about the lyrics though.
24. Scissorfight - Jaggernaut (if you like Clutch, you'll like these guys)
If you like Clutch interbred with Appalachian mountain trolls. So much damn fun. Move it way up.
25. Fucked Up - Hidden World (if this is fucked up, I don't want normal)
Nah, bro. I wasn't feeling it. 2006 comment invalid.
26. Dry Kill Logic - Of Vengeance and Violence (Cliff Rigano rules)
I still dug it. "Rules" may be an exaggeration. They put out a new single in May. I should check it out.
Top 5 "Really fun to listen to but not necessarily great albums"
1. Dragonforce - Inhuman Rampage (2025 - I listened to it all. That was more than enough.)
2. Funerot - Invasion from the Death Dimension (Tyrannosaur could be my fave song of the year) (2025 - That was fun! I feel bad I had forgotten about it!)
3. Cross Examination - Hung Jury (2025 - 'The Hung Jury' is the correct title. Also, fuck me for forgetting this! Super fun crossover! Fuck yeah!)
4. Venom - Metal Black (2025 - I didn't bother.)
5. Motorhead - Kiss of Death (2025 - I tried to listen to it. Shoot me. I don't like Motörhead. I don't know why I put this one here. I don't like Venom either.)
Surprise of the Year:
I Hate Sally - Don't Worry Lady (who knew I'd love a local band this much, and the fact that Mike Kopko hated it)
Disappointment(s) of the Year (other than no new Clutch):
Tool - 10,000 days (2025 - Most forgettable Tool album.)
Five Horse Johnson - Mystery Spot (JP from Clutch drumming, thought it would be better) (2025 - Same. Couple cool tunes.)
The false start (demise?) of Black Veil Choir (Justin Marler from Sleep)(2025 - I can't even find info about this failed project.)
Stuff I Thought I'd Like But Wasn't Really Feelin':
Trivium - Crusaders (bad lyrics) (2025 - I concur. It's 'The Crusades' though.)
Protest the Hero - Kezia (hate the vocals) (2025 - I concur.)
Isis - In the Absence of Truth (2025 - I actually listened to this three times. Better than I gave it credit for at the time.)
Compilation of the Year :
Sucking the 70's 2: Back in the Saddle Again (2025 - I didn't look for it. I will say it probably still is the best comp of that year.)
Collaboration of the Year :
Rebel Meets Rebel (2025 - I didn't bother.)
Top EPs of the Year:
Jesu - Silver (2025 - It was fine? Not something I'll go back to.)
Arise and Ruin - The Fear of... (Unavailable. I probably couldn't find the mp3s around if I tried. A burned disc or a hard drive somewhere but whatever. I have both their albums.
Sunday, June 1, 2025
Album of the Month - April 2025: Conan - 'Violence Dimension'
Greetings, fellow voidfillers. I'm going back to Album of the Month for at least April. I'll note some other releases at the end but Violence Dimension from the mighty Conan definitely stands above the rest of the pack. The Mizmor/Hell collaboration stands pretty fuckin' tall but I'm not here to pit them against each other. Plus, the collaboration needs to grow on me to understand it's depth. Conan however, Conan has already put me six feet under and pushin' up daisies. It's fuckin' killer. I'll want to dig into the lyrics but if we're being honest I mostly enjoy Conan for the pure sonic bludgeoning. Being buried in fuzz. Vibrating with tone. Beaten senseless. Taken to a dimension of violence.
I'm pretty sure the Violence Dimension guitarist/vocalist Jon Davis is growling/yelling about is in some way the one we're living in. Earth on this plane at this time. Certainly feels like it anyway. I've come to realize that I either connect with an album and it's sound, or I don't. And I won't. The frequencies don't line up. I don't resonate into violent frequencies all the time. There's enough of that in this dimension. In a fight fire with fire kind of way, my shield against violent waves is itself made of violence in sync with MY frequencies. That's where Conan comes in. There are all kinds of violent music. Hyper-violent. Black, death, grind. Not the right frequency (most of the time). Crushing, hulking, muscular, fuckin' doom-sludge worthy of the Barbarian's name is a most effective defense. Anytime. Every time.
What isn't as consistent with Violence Dimension - at least compared to their previous three albums - is the man wielding the bass. This time it's former Fudge Tunnel bassist David Ryley. Chris Fielding returns solely to the producer/engineer's chair for this effort. Thank the gods he didn't abandon Conan completely. I don't think Conan would sound like Conan without him in that position. So what does that mean for the new album? I haven't worked that out scientifically, comparing and contrasting details of sound and performance and atmosphere across years of material. But my gut, my real brain, my gut said "capital Fuck Yeah, bud."
Maybe I didn't anticipate the frequencies of Violence Dimension lining up with mine so perfectly, or something, but when the hammer dropped on this bad boy the energy shot right through me. It felt more vigourous, more powerful, more effective than I was expecting for some bizarre reason. It gave me marching orders. As if drummer Johnny King issued a command. "We're fucking shit up with sonic energy. Get on board." Then boom! By the time we hit "Total Bicep" the sprint towards battles of warfare and death is downright lustful. Rage and heaviness and thunder and a fucking doom drop that takes you to your knees drags you to your feet again for a weary march to the next encounter.
The next encounter being the title track. It's a more subdued affair. At least at first. The nine-minute track starts with more space, somewhat majestic, not unlike the album cover. Still massive. It plods through its midpoint, drawing energy, expanding dimensional sonic horizons in waves of droning chords. Punishing gravity returns in the tracks later third, with a beastly growl at that. A track worthy of identifying the collective material.
I could go trying put sounds into words for more of the eight tracks but you get the idea. I've been a remorseless Conan fan since at least Monnos in 2012 and I've never lost faith so I don't know exactly why Violence Dimension hit me so hard. I won't complain. Aligned frequencies, I guess. Low, pulsing, menacing, tense, frequencies. I'll get carried away again here. I can't recommend this enough especially if you're already fond of sludgy, heavy as all fucks doom. Worship!
Also recommended from the April collection of releases: Mizmor/Hell - 'Alluvion', Action & Tension & Space - 'New Dimensions', Ponddigger - 'Nocturnal Hymnal', and Blackwater Holylight - 'If You Only Knew' EP.
And as always, every release I listened to in April all wrapped up in my April Spotify Playlist. The first 80 or so tracks are all from my seven favourite bands. The new release stuff starts after that.
Saturday, April 19, 2025
March 2025: Matt Recommends
Rwake - 'The Return of Magik': Rwake's 2011 album, 'Rest' is one of my all-time favourite albums. I thought the band was dead. It happens. Some of my favourite albums are final albums from bands that just disappeared. (I Hate Sally, Astrakhan, others) Naturally I hit the roof when out of nowhere the title track for 'The Return of Magik' just dropped out of nowhere. And holy fuck the title is spot on. The magik is back! It's so heavy. It's so emotional. Expansive. Deep. Magikal. It's so Rwake. Listening to it in the proper isolated environment produces an out-of-body effect. I need to study this album. Really get into the lyrics. It took over a decade to put this album together and it could take that long fully wrap my head around it. It's gonna be tough to knock this one off the top of my year end list. Listen for yourself.
Dead Meadow - 'Yoyager to Voyager': To the detriment of the world Dead Meadow bassist Steve Kille sadly passed away due to cancer. While the band does plan to continue, 'Voyager to Voyager' stands as Kille's final contrbution to the band. Not only will it stand out in their storied catalog for that reason alone but regardless it's simply one of their best releases period. Sure, knowledge of circumstances influenced the listening experience but you can't argue with how good it is. How Dead Meadow it is. Dead Meadow is a band I just "connect" with, right from the first time I head 'Howls from the Hills' playing in a record store and bought it immediately. If I'd heard this one I'd do the same. Their style of heavy psych definitely takes me on a voyage. It takes a weight from my shoulders, lifts me away from the damp, cold earth with its dynamic sway and entrancing melodies. Again, I really need to dig deep into this record and really understand it. Maybe once my preordered vinyl and CD finally show up!
Futuropaco - 'Fortezza Di Vetro, Vol. 2': Unfortunately El Paraiso Records doesn't use Bandcamp and Futuropaco only has one release on their page so the embedded link will have to be Spotify. Sorry. How do I even describe the album though. There are elements of funk, psych, and weird, fun electronics? Maybe what I feel as "funk" isn't accurate but it feels funky to me. It's got a certain groove that gets you movin' while the keys, fuzz, and psychedleic flourish isolate the pleasure centers of the brain. Layers upon layers weave in and out of this psychedelic journey. Like most of the stuff I listen to anymore it's something to sink into. It's all instrumental by the way. Justin Pinkerton does it again. I'd recommend it for fans of King Gizzard, Budos Band (no horns but whatever), or a bunch of other stuff on El Paraiso like Causa Sui. Check it out.
Two all-time favourite bands and one I'm just getting into. If you want to know what else I was into in March, here's my As I Go March 2025 Playlist. Honourable mentions to 'Yun' by Pyres and 'Mentalism' by Mantras.
Thursday, January 30, 2025
2024: My Favourites
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1. Slomosa - Tundra Rock (Stickman): I discovered Slomosa's 2020 self-titled debut in 2023 via Weedian's Trip to Norway compilation and was completely hooked. Tundra Rock buried another barb. This time even deeper. High energy desert rock culling influence from obvious players like early QOTSA and Kyuss with probably some influence from the European scene like Dozer, etc. Tundra Rock just kicks so much ass that I had to list it above the masters of ass-kicking...
2. High on Fire - Cometh the Storm (Southern Lord): The flames are definitely high! I was cautiously sceptical about Coady Willis replacing Des. No need. Des will be missed and I do have his autograph on my original CD copy of The Art of Self Defence but Willis fuckin' gives'er, man! This new era is going to rule just as hard. Jeff Matz is doing some crazy cool stuff here and Pike, well, Matt Pike for President. Anyone who shits on the record needs to wipe their face after extracting it from their own ass.
3. Fu Manchu - Return of Tomorrow (At the Dojo): Any Fu Manchu album is going to make my list. Bias is real. But it still rules. All the talk about the album mentions the two "sides" of the album, one being more mellow than the other. I guess that's true but I didn't hear anything that didn't sound like Fu Manchu to me. "Mellow" is relative, I suppose. Bonus: I finally got to see Fu Manchu live this year. They only played for like 35 minutes and I missed the first 10 due to a doors vs. start of show misunderstanding. (ALWAYS show up early, Matt! Idiot.)
The rest (more or less in order of release):
Brugada - To Slow Death and Fast Riffs (Tone Zone): Canadian west coast outfit with former members of Astrakhan. Complicated and somewhat artful hardcore-eged prog-sludge? I dunno. The band actually split years ago and it took that long to get this album out. I didn't think I'd ever see the day. Now I have the cassette tape. Booyah! (January Album of the Month)
Fearbirds - Aux Blood (Batskull/New Damage): Another left coast Canuck band that feeds the aggro beast with members of other bands I used to love. Specifically Kevin Keegan of Barn Burner (and Dead Quiet but they're still going). The other members are scene vets as well. I think they split too. Their van bit the dust, they canceled their tour, and they called it a day. Seems kind of fucked but life goes on. (February AOTM)
Weedow - Weedow (self-released): Polish stoner doom trio. As smoked out as you would expect.
Kungens Män - För samtida djur 1 and 2 (Majestic Mountain): Experimental, avant-garde, psychedelic, meditative rock from Germany.
Uncle Woe - Oblivion and Further Disaster (Packard Black Productions/Owlripper Records): Depression Doom from the Ontario wilderness (not terribly far from me actually). Main man Rain Fice enlisted Aussie drummer Mark Witworth of X's for Eyes for this one (and Well from 2023). I don't do a lot of sad stuff these days but I almost have all the Uncle Woe records on vinyl so.... (March AOTM)
Rickshaw Billie's Burger Patrol - Big Dumb Riffs (self-released): I liked this one better than Doom Wop. All big dumb riffs. Makes you want to break things.
The Cosmic Dead - Infinite Peaks (Heavy Psych Sounds): Heavy psych space rock from Scotland. It's a long trip, man. One of my favourite sub-genres of music these days.
Bongripper - Empty (self-released): Their songs are instrumental so they aren't about ripping bongs but Empty will nonetheless take all your worries away. For about 66 minutes. The doom looms.
Eye - Dark Light (New Heavy Sounds): Jessica Ball of MWWB brings us Dark Light, a darkfolk, dream pop, electronic psych doom, and more exploration of feeling with new project, Eye. It's intimate and textured. It's hard to explain, and hard to explain what it is that draws me in so much. I like it that way.
Ufomammut - Hidden (Neurot): The Italian psychedelic sludge masters just keep pumping out quality stuff. I've been enjoying their drony, hypnotic, snyth-laden, industrial heaviness for decades and they haven't let me down yet. (May AOTM)
Beaten to Death - Sunrise Over Rigor Mortis (Mas Kina): Back to Norway. This time with the explosive melodic grindcore of Beaten to Death. Sunrise continues the sonic bludgeoning with the same playful ferocity I've come to expect. This is where I go for quick pent-up energy release.
Thou - Umbilical (Sacred Bones): I really should have this one closer to the top just in case someone doesn't read this far. This is where to go to feel absolutely crushed. The music is heavy but it also makes you feel the weight of humanity's suffering with each riff. I shouldn't have to explain Thou.
Causa Sui - From the Source (El Paraiso): Aaaaahhhh more escapist music. Instrumental, experimental, proggy, psychedelic rock. It puts me in the same space as Dead Meadow, Godspeed You! Black Emperor, and Colour Haze. There is a lot of good stuff on El Paraiso Records.
Penza Penza - Alto e Primitivo (Funk Night Records): Psychedelic and instrumental but this time it gets funky. And jazzy, I suppose. But I like how it makes me move. It feels good! Ow! (July AOTM)
delving - All Paths Diverge (Blues Funeral): This side project of Elder's Nick DiSalvo is so chill. Light and airy, psychedelic. Beautiful sonic explorations that just seem to flow naturally from one movement to the next. Similar vibes to a lot of the places Elder goes. (His other project, Weite, is a little different. See below later.)
Anciients - Beyond the Reach of the Sun (Season of Mist): If you like guitars, and lots of them, this is for you. I feel like Anciients have moved further from the sludge of "progressive sludge" into the prog end but still fucking rip. The songs are good obviously too but the big standout for me is listening to all those notes! (August AOTM)
Brant Bjork Trio - Once Upon a Time in the Desert (Duna Records): The legend Brank Bjork brings back his Duna Records label with this beaut with the legend Mario Lalli on bass. And that's what it sounds like. Yawning Man bass on a Brant Bjork album. Sweeeeeet.
Goat - Goat (Rocket Recordings): My favourite psychedelic funk rock collective brings more hip-hop style beats into the mix on this one and I'm obviously okay with that in this instance. It was my October AOTM and I described my feelings pretty well in that post. Yeah, I picked it over Brant Bjork Trio. It's that cool.
Sun and Sail Club - Shipwrecked (Heavy Psych Sounds): Tony Adolescent, Bob Balch, and BOTH Scott Reeders! Fast! Aggressive! Punk! Relentless! (Except the jazzy guitar yacht rock bookends!) Fuck off attitude! Not stoner rock!
Low Flying Hawks - Makebelieve (Sympatry Records): Hard to explain this one. Hypnotic, sludgy, noisy at times, art-rock, psych. But it's even more complex than that. Gothic. Emotional, through anguished screams or harmony. I still need to spend WAY more time with it. It just keeps getting better. October was a pretty hard choice for AOTM.
Hawklords - Relativity (self-released): I like this better than the more recent Hawkwind albums! The associations with Hawkwind are pretty loose at this point but Relavity occupies the same space. AI concept album. I dig it. But like, sci-fi Asimov stuff not ChatGPT or whatever. Plus, it's really cool space rock, man!
There they are. My favourite 24 albums of 2024. I cheated by lumping the Kungens Man albums together but who's counting? As promised, here is another bunch of albums I thought were cool enough to mention.
Elephant Tree/Lowrider - The Long Forever (Blues Funeral): Honestly, I kind of forgot about this one and I know I liked it but didn't feel comfortable putting it above. Oops.
Baardvader - When the Stars Arrive (self-released)
The Whims of the Great Magnet - FRYDOM (self-released): December AOTM
Weite - Oase (Stickman)
Cosmic Fall - Back Where the Fire Flows (self-released)
Tube Warmers - Fertilized Eggs and Honey (River Records)
Crippled Black Phoenix - The Wolf Changes Its Fur But Not Its Nature (Season of Mist)
Vessel - The Somnifier (Majestic Mountain): November AOTM
Babel Map - Teeth (Lost Future)
Ian Blurton's Future Now - Crimes of the City (Pajama Party): (The crimes are that for most of their shows in Toronto they don't go on stage until 1am or some nonsense.)
Godspeed You! Black Emperor - NO TITLE AS OF 13 FEBRUARY 2024 28,340 DEAD (Constellation)
Mammoth Volume - Raised Up By Witches (Blues Funeral)
Free Ride - Acido y Puto (Small Stone)
Ainu - Ainu ((Subsound Records)
Rezn - Burden (Sargeant House)
Khruangbin - A La Sala (Dead Oceans/Night Time Stories)
Locrian - End Terror (Profound Lore)
Sons of Alpha Centuri - Pull (Exile on Mainstream)
Monkey3 - Welcome to the Machine (Napalm Records)
There are more but really, that's enough. Comment below if you have anything to say. Keep an eye for my playlists!
Wednesday, June 12, 2024
Album of the Month - May 2024: Ufomammut - 'Hidden'
Italy's mighty Ufomammut have the distinguished honour of being Album of the Month for May 2024 here at Kingdom of Noise with 'Hidden'. The "psychedelic sludge" trio celebrate their 25th year by releasing their 10th album. Not a bad pace if you ask me. Pacing is a large part of the appeal of Ufomammut too. The band has always mastered their pacing. Mostly a lumbering gait kinda thing. As doom does. Ufomammut dial up the repetition more than most locking the listener into whatever otherworldly headspace they're creating. Drones, synths, and FX round out the full effect. Ufomammut albums are a trip, man, and 'Hidden' feels of no diminished quality this deep into the band's career. Ufomammut are remarkably consistent in that regard.
There's just something about them that clicks with me. So it makes sense that 'Hidden' does too. It's heavy as fuck for starters. The transisions are near perfect. When they move between parts it doesn't feel forced or clunky even if it's abrupt. Even without the snyth effect, the industrial undertone persists. All the synths and FX do is take it to another level. It's what takes all their albums to the next level. It's so integral to their sound. I mean, it's right there in the name Ufomammut. UFO and mammut (Italian for mammoth). The power of a huge, earthshaking animal infused with otherworldy influence. Charged darkness comes to mind. An atmosphere alive and sunless and ancient.
'Hidden' is a muscular and nuanced album. It deserves your attention. The more undivided that attention is, the better. Hide yourself in the layered sonic intensity and let it overwhelm you.
Saturday, May 11, 2024
Album of the Month - April 2024: High on Fire - 'Cometh the Storm'
I am pretty much phoning this month in. From long distance. You don't need me to tell you that High on Fire's 'Cometh the Storm' is the best album released in April of 2024. There were other great albums released but holy fucking shitballs, does this fucking RIP!!!
I will admit that I had some small concerns about Coady Willis (Big Business, Melvins) taking over the drum throne. I mean, Des is a fucking legend, right? Those concerns were quickly put to bed. Mr. Willis just slid right in there like he always belonged. I love it!
As for the album it's just what you want from a High on Fire record. The riffs just keep on coming. It's just repeated sonic beatings. Especially "The Beating". Matt Pike lets rip some wicked vocals too. I like when it sounds like he's just yelling. And those solos? Fuck. You know who else is a legend? Jeff Matz. Goddamn I wish I could play like him. Goals. I saw an instagram post asking what song was your favourite. The responses covered almost every song on the album. I was not surprised because they're all worthy.
Yeah, I'm running out of talk time here and I don't have anymore change for the booth. There isn't much to say other than HIGH ON MOTHERFUCKING FIRE!!!!!!!
Sunday, January 28, 2024
2023: My Favourites
Man, the evolution continues. Or is it a de-evolution? Not society. That's totally fucked. I mean my music listening habits. Long gone are the days of knowing every sub-genre. Or trying to anyway. I really, really feel most at home when I'm enjoying stoner rock and metal, doom, stoner doom, sludge, psych, heavy psych, more and more prog, shit like that. I think I listened to one black metal album all year? ('Blackbraid II') Thrash? Probably just Slayer (more or less) thanks to the Talkin' Slayer podcast by D.X. Ferris. As for death metal well, most of that input was in the live setting. Anyhoo.
Once I got down to it putting together this year's list wasn't so hard. I value my time to the point of not wasting any of it if the tunes don't resonate. That made that long list shorter and the cuts easier to make. There are no consequences. Go with your gut. Music is transcendence. Music is prayer. Music is salvation.
Following last year's format here are the 40(ish) releases that gave me the most feelings in 2023.
Favourites of 2023 Spotify Playlist Song Version
Favourites of 2023 Spotify Full Version
FULLY ENLIGHTENED BEINGS (pure beings devoid of faults)
Hippie Death Cult - 'Helichrysm' (Heavy Psych Sounds)
Baroness - 'Stone' (Abraxas Hymns)
REZN and Vinnum Sabbathi - 'Silent Future' (Blues Funeral Recordings)
Royal Thunder - 'Rebuilding the Mountain' (Spinefarm Records)
Melt - 'Replica of Man' (self-released)
Acid King - 'Beyond Vision' (Blues Funeral Recordings)
Dozer - 'Drifting in the Endless Void' (Blues Funeral Recordings)
Blood Ceremony - 'The Old Ways Remain' (Rise Above Records)
Mutoid Man - 'Mutants' (Sargent House)
Psychic Trash - 'Psychic Trash' (Riding Easy Records)
GODS OF THE FORM AND FORMLESS REALMS (aeons of refined bliss)
Miss Mellow - 'Miss Mellow' (self-released)
Frankie & the Witch Fingers - 'Data Doom' (The Reverberation Appreciation Society/Greenway Records)
Giant Lungs - 'Giant Lungs' (Transporta Records)
Iron Buddha - 'Raze/Repose' (self-released)
Goat - 'Medicine' and 'Levitation Sessions' (Rocket Recordings and The Reverberation Appreciation Society)
Mizmor - 'Prosaic' (Profound Lore Records)
Choose the Juice - 'Meteoria' (self/Artemis Kaiser)
Dopelord - 'Songs for Satan' (Blues Funeral Recordings)
Night Verses - 'Every Sound Has a Color in the Valley of Night: Part 1' (Equal Vision Records)
Astral Hand - 'Lords of Data' (Romanus Records)
DESIRE REALM GODS (enjoyment and satisfaction of desires)
Bongzilla - 'Dab City' (Heavy Psych Sounds Records)
Dead Feathers - 'Full Circle' (Ripple Music)
Dead Quiet - 'IV' (Artoffact Records)
Snakes Don't Belong in Alaska - 'Sounds of a Forming Planet' (Catacomb Family Records)
Swamp Ritual - 'Vol. III' (self-released)
Domkraft - 'Sonic Moons' (Magnetic Eye Records)
Sâver - 'From Ember and Rust (Pelagic Records)
Danko Jones - 'Electric Sounds' (Sonic Unyon Records)
Green Yeti - 'Necropolitan' (self-released)
Gozu - 'Remedy' (Metal Blade Records)
PRECIOUS HUMAN LIVES
Crown Lands - 'Fearless' (Universal)
Black Rainbows - 'Superskull' (Heavy Psych Sounds Records)
Auralayer - 'Thousand Petals' (King Volume Records)
Uncle Acid & the Deadbeats - 'Slaughter on First Avenue' (Rise Above Records)
Restless Spirit - 'Afterimage' (Magnetic Eye Records)
Howling Giant - 'Glass Future' (Magnetic Eye Records)
Sonic Demon - 'Veterans of the Psychic War' (Majestic Mountain Records)
Warp - 'Bound by Gravity' (Nasoni Records)
Moon Coven - 'Sun King' (Ripple Music)
REZN - 'Solace' (self-released)
FAVOURITE EPs OF 2023 (some of the above were technically EPs too but whatever)
The Budos Band - 'Frontier's Edge' (Diamond West Records)
Stöner - 'Boogie to Baja' (Heavy Psych Sounds Records)
Olde Grale - 'Blood of Fools' (Salt of the Earth Records)
Uncle Woe - 'Well' (Owlripper Records)
Ufomammut - 'Crookhead' (Supernatural Cat)
Friday, January 5, 2024
Nebular Nine: December 2023
Monday, October 2, 2023
Nebular Nine: September 2023
Friday, September 1, 2023
Nebular Nine: August 2023
Tuesday, January 17, 2023
2022: My Favourites
Monday, January 3, 2022
2021: My Favourites
The end of 2017 was bad. 2018 was subsequently sad. 2019 was shitty. 2020 was really shitty. (There was also the pandemic.) 2021 was even shittier. (There was also the pandemic.) 2022 is shaping up to be pretty shitty. (There will also be the pandemic.) Through it all was the music. Everyone has their escape, their grounding point, their way to drown out the tinnitus. However, the music that gets me through the good times and the bad has changed quite a bit. In 2018 I attended Migration Fest which was predominantly black and death metal and never wanted to miss a second of it. By 2021 I barely listened to black or death metal at all. Or thrash. At least not anything new. Nope. It was all about the doom, the stoner, the rock, the sludge, the psych. With exceptions. Nothing too violent or aggressive. I don't have time for that. I needed chill. I needed vibe. I needed groove. I needed dark and slow. I needed stuff to take my mind away. So, here's what filled those needs the most in 2021!
Instead of a numbered list, I used three tiers for the top 25 albums. After the top tier is a big ole list of albums that I felt obligated to list because they were also pretty damn good.
Third Tier
Gojira - 'Fortitude' (Roadrunner Records)
Monster Magnet - 'A Better Dystopia' (Napalm Records)
Hippie Death Cult - 'Circle of Days' (Heavy Psych Sounds Records)
Yawning Sons - 'Sky Island' (Ripple Music)
Dvne - 'Etemen Ænka' (Metal Blade Records)
Go Ahead and Die - 'Go Ahead and Die' (Nuclear Blast Records)
Kadabra - 'Ultra' (Heavy Psych Sounds Records)
Redscale - 'The Old Colossus' (Majestic Mountain Records)
Snake Mountain Revival - 'Everything in Sight' (Rebel Waves Records)
Monolord - 'Your Time to Shine' (Relapse Records)
24/7 Diva Heaven - 'Stress' (Noisolution)
High Desert Queen - 'Secrets of the Black Moon' (Ripple Music)
Dayglo Mourning - 'Dead Star' (Black Doomba Records)
King Buffalo - 'Acheron' (self-released)
Earthless - 'Live in the Mojave Desert' (Giant Rock Records/Heavy Psych Sounds Records)
Second Tier
Lazer Beam - 'Lazer Beam' (LCF Records)
Danko Jones - 'Power Trio' (Sonic Unyon Records)
Fear Factory - 'Aggression Continuum' (Nuclear Blast Records)
Sons of Alpha Centauri - 'Push' (Exile on Mainstream)
Archspire - 'Bleed the Future' (Season of Mist)
Top Tier
Olde - 'Pilgrimage' (Seeing Red Records)
King Buffalo - 'The Burden of Restlessness' (self-released)
StÓ§ner - 'Stoners Rule' (Heavy Psych Sounds Records)
Blackwater Holylight - 'Silence/Motion' (RidingEasy)
Elder and Kadavar - 'Eldovar: A Story of Darkness and Light' (Robotor Records)
Other Rad Albums
Appalooza - 'The Holy of Holies' (Ripple)
16 and Grime split - 'Doom Sessions Vol. 3' (Heavy Psych Sounds)
Acid Mammoth - 'Caravan' (Heavy Psych Sounds)
Shiva the Destructor - 'Find the Others' (Robust Fellow)
Greenleaf - 'Echoes From a Mass' (Napalm)
Bongzilla - 'Weedsconsin' (Heavy Psych Sounds)
Domkraft - 'Seeds' (Magnetic Eye)
Moon Coven - 'Slumber Wood' (Ripple)
Vokonis - 'Odyssey' (The Sign Records)
Head of Jeddore - 'How to Slaughter a Lamb' (self-released)
Somnuri - ' Nefarious Wave' (Blues Funeral)
Black Sky Giant - 'Planet Terror' and 'Falling Mothership' (self)
Smiling - 'Devour' (Rebel Waves)
Black Label Society - 'Doom Crew Inc.' (eOne)
Jointhugger - 'Surrounded by Vultures' (Majestic Mountain)
Lucifer - 'Lucifer IV' (Century Media)
Mastodon - 'Hushed & Grim' (Warner)
Kowloon Walled City - 'Piecework' (Neurot/Gilead Media)
Crystal Spiders - 'Morieris' (Ripple)
Bogwife - 'A Passage Divine' (Majestic Mountain)
Holy Death Trio - 'Introducing' (Ripple)
Hooded Menace - 'The Tritonus Bell' (Season of Mist)
Trappist/Connoisseur - 'Crossfaded' (Tankcrimes)
Marc Rizzo - 'Living Shred Vol. 1' (Godsize)
Low Flying Hawks - 'FUYU' (Magnetic Eye)
Kal-El - 'Dark Majesty' (Majestic Mountain)
Comet Control - 'Inside the Sun' (Tee Pee)
Snail - 'Fractal Altar' (Argonauta)
1782 - 'From the Graveyard' (Heavy Psych Sounds)
Sunnata - 'Burning in Heaven, Melting on Earth' (self)
Heavy Temple - 'Lupis Amoris' (Magnetic Eye)
Sion - 'Sion' (self)
Spirit Mother - 'Live in the Mojave Desert' (Giant Rock/HPS)
StÓ§ner - 'Live in the Mojave Desert' (Giant Rock/HPS)
Mountain Tamer - 'Live in the Mojave Desert' (Giant Rock/HPS)
Wednesday, February 24, 2021
2020: My Favourites
It goes without saying 2020 was fucked. But between all the flaming garbage I think I made big personal strides in really discovering what mattered to me. And well, here are the albums from 2020 that mattered to me. Top 20 and Next 20, in alphabetical order, because numbered rankings are pointless.
All these albums are available on Spotify and/or Bandcamp. You know how the internet works.
TOP 20
The Atomic Bitchwax - Scorpio (Tee Pee)
Bantha Rider - Binary Sunset Massacre (Bantha DIY, Piranha Music, AimDownSight)
Black Rainbows - Cosmic Ritual Supertrip (Heavy Psych Sounds)
Brant Bjork - Brant Bjork (Heavy Psych Sounds)
Dead Quiet - Truth and Ruin (Artofact)
Electric Hydra - Electric Hydra (Majestic Mountain, Tee Pee)
Gypsybyrd - Eyes of the Sun (Cosmic Stone)
Hymn - Breach Us (Fysisk Format)
Killer Be Killed - Reluctant Hero (Nuclear Blast)
Khruangbin - Mordechai (Dead Oceans, Night Time Stories)
Local H - Lifers (Antifragile)
Moths & Locusts - Exoplanets (NoiseAgonyMayhem)
Oranssi Pazuzu - Mestarin kynsi (Nuclear Blast)
Psychlona - Venus Skytrip (Ripple)
Sevendust - Blood and Stone (Rise)
Sons of Otis - Isolation (Totem Cat)
Somnus Throne - Somnus Throne (Burning World)
Turtle Skull - Monoliths (Art As Catharsis)
Yawning Man - Live at Giant Rock (Heavy Psych Sounds)
NEXT 20
Big Scenic Nowhere - Vision Beyond Horizon (Satin) and Lavendar Blues (Satin)
Body Count - Carnivore (Century Media)
The Budos Band - Long in the Tooth (Daptone)
Deftones - Ohms (Reprise)
Elder - Omens (Armageddon Shop)
Dirt Woman - The Glass Cliff (Grimoire)
Goatriders - The Magician's Keep (self)
Huanastone - Third Stone from the Sun (Argonauta)
IAH - III (self)
Lowrider - Refractions (Blues Funeral)
Lucifer - III (Century Media)
The Pilgrim - ...From The Earth To The Sky And Back (Heavy Psych Sounds)
Pink Cigs - Pink Cigs (Harvest Studios)
The Re-Stoned - Thunders of the Deep (Qiasum Music)
Sepultura - Quadra (Nuclear Blast)
Spirit Adrift - Enlightened in Eternity (20 Buck Spin)
Thomas V. JÓ“ger - A Solitary Plan (RidingEasy)
Tombs - Monarchy of Shadows (Season of Mist) and Under Sullen Skies (Season of Mist)
Yatra - Blood of the Night (STB) and All is Lost (Grimoire)
Wednesday, March 6, 2019
Favourite 40 of 2018
27. Dead Meadow - The Nothing They Need (Xemu) - I heard Dead Meadow playing in a record store back in 2001 and bought it immediately. They still connect with my soul.
26. Vile Creature - Cast of Static and Smoke (self) - This heavy-as-fuck Canadian duo made quite the splash in 2018. The nihilism and heft of this crushing slab of catharsis should make everyone want to join their angry queer doom cult.
Because I thought I did a good job, and because I want to get this thing posted now that it's MARCH, the following blurbs are copied from an original post at Hellbound.ca. Enough procrastinating!!!
9. Soulfly - Ritual (Napalm) - I would usually leave Soulfly off a list like this altogether due to personal bias (the first tattoo I ever got was a Soulfly logo) but Ritual warrants the recognition due to the change in direction the band takes. Soulfly had been going in a more intense death-thrash direction on recent efforts but Ritual sounds more like Max Cavalera in the mid-to-late ’90s. Late Sepultura, early Soulfly. Not nu-metal though. Groovy? Sure. Tribal? Some. Intensity? You better believe it. It impressed many fans who had given up ages ago and even some that have hung in the whole time.
8. Windhand - Eternal Return (Relapse) - Virginia’s Windhand teased ever so tantalizingly with their half of a split with Satan’s Satyrs. That appetizer was the perfect setup for the satisfying main course. Eternal Return satiates all doom desires. The warm tones penetrate your body while the flowing riffs liquify your bones into a vaporous syrup. Dorthia Cottrell continues her reign among the most affecting doom vocalists of this, or any age in the genre’s evolution. Windhand’s earthly and bewitching doom is a blessing of mood music. The beauty of it is there’s a whole range of moods Eternal Return can amplify or soothe. A potent elixir for all your ills.
6. Astrakhan - Without New Growth Process is Bloodshed (self) - RIP Astrakhan. With this release it was made known that Astrakhan was to be no more. The SADness of February’s cold days took a new twist as Sans Astrakhan Disorder. The cure actually comes in the form of listening to the album. WNGPIB is masterful. There’s no term for their progressive, post-, hard-charging, doomy, sludge-into-stoner metal. That indescribability adds to its charm. Serpentine riffs and dynamic intensity take the listener through a lifetime of emotional shifts. Harmonies and vocals stretch your soul like puddy, solos send your mind exploding across galaxies, and the whole package… sadly wasn’t released on vinyl. I’m pretty excited for the guitarists’ new project Brugada though.
5. Fu Manchu - Clone of the Universe (New Damage/At the Dojo) - All that really needs to be said about Clone of the Universe is that there is an 18 minute song on it that features Alex Lifeson of Rush. He doesn’t play for the whole 18 minutes mind you but it’s still way cool. It’s also pretty cool that a band known for short-ish punchy tunes pulled off such a monster track and even embedded it with a new essential Fu Manchu moment. Light the throttle!!! Scott Hill and company do have surprises up their sleeve! Rest assured though the runtime friendly anthems of California-baked coolness that make up the rest of album leave their mark too. Fu Manchu doing Fu Manchu, with an adventurous twist.
4. Sleep - The Sciences (Third Man) - I’ve been a Sleep fan since I first discovered them in 2000. Jerusalem was unlike anything I had heard before. I finally got a chance to see them play back in August. They didn’t play all of Jerusalem/Dopesmoker but they did play some of it. They also played a bunch of songs from The Sciences, their first full-length since Dopesmoker was originally released in 2003. “Sonic Titan” is a holdover from those days given a boost from studio production. The songs range in length from the 3 minute intro/title track to the 14:23 of “Antarcticans Thawed” and every second is unmistakably Sleep. “Giza Butler” might be the second best song they’ve ever written. There’s a riff in there that is my spirit animal. Throw me off a bridge. I don’t care as long as that’s what I hear on the way down.
3. Brant Bjork - Mankind Woman (Heavy Psych Sounds) - This past year or so I have REALLY gotten into Brant Bjork. I loved Black Power Flower and Tao of the Devil but I never really dug into the past. I did this year. Partly due to Mankind Woman. I needed more. And more. As much as I could get. (HPS is actually reissuing most of his back catalogue so….) I can’t even get enough of this album though. Shades of funk and blues. Groove. Psych. Stoner vibes. An overwhelming sense of chill. These are some of my favourite things…about the album. And the lyrics. Songs about life. Diamond hard nuggets of wisdom. “Nation of Indica” is my favourite song of the year for just such reasons. Stay chill, my friends.
2. High on Fire - Electric Messiah (eOne) - My guess is that after dragging his strings around in Sleep and their new material he needed to balance that by making a new High on Fire album as intense as humanly possible. There is a fire burning under Electric Messiah that’s heating those riffs to a rapid boil. Add in the white hot electricity of this trio and you’ll be seeing God. Everything feels 110%. They’ve been at this a long while, and not without challenges, but they bludgeon with such conviction here you’d think their faces were young and fresh. So muscular, so intense, so brilliantly executed. I don’t care how people feel about High on Fire production (I hear nothing wrong here). It’s about the songs. I LOVE THESE SONGS.
Thanks for hangin' in there.




