October 2025: Matt Recommends

October was a pretty good month (for music) if we're being honest. This is gonna be a spitfire of recommendations with little insight. Strap in!

Raphael Weinroth-Browne - Lifeblood: The month started off really well with the latest from this dynamic cellist. Lifeblood is a captivating and passionate affair that draws you in as if you weren't freely giving yourself over to it already. Excellent work, as always.



M.E.L.T. - Innervate/Obliterate: High-energy psych/indie/fuzz/stoner rock power trio. Very high energy. Best enjoyed very high.



Verona Florrist - Verona Florrist: Stoner doom trio from Toronto. Big powerful sound with nuance. Not afraid to "get into'er" and crush some skulls. FFO AAWKS.



Frayle - Heretics and Lullabies: Heavy doom rock with haunting melodies and ethereal vocals. The atmosphere fills the room in a similar way to Alice in Chains.



Biohazard - Divided We Fall: I've been a Biohazard fan for over 25 years and I was not disappointed by this return! First album in 12 years! (Not on Bandcamp.)



Soulfly - Chama: I'm a big Soulfly fan. My first ever tattoo was the Soulfly wings logo. They sound a lot different than 1998 but Max always rules! (Not on Bandcamp either.)



Cattlemass - Alpha 1128: Kick-ass fuckin' doom. Fuzzed-out and dripping with groove. Crank it! Crush something!



Hawklords - Faith: Yes, this is an offshoot of Hawkwind. And they sound like it. Always a trip with these lads!



The Acacia Strain - You Are Safe From God Here: I don't always go for deathcore. If you can even call this deathcore. It's pretty doomy. And angry.



Space Witch - Mountains of Neptune: Instrumental space doom masterpiece! It's been eight years since their last album. Well worth the wait. Safe travels, friends.



Like I said, it was a good month and I wanted to highlight as many as I could. Check out my October Playlist for more good tunes.

Fayne - The Queen of Kings

I'm not going to spend a lot of time on The Queen of Kings by Montreal's Fayne. Mostly because this sort of music is targeted at a young audience and at 36 I feel anything but young. But also because regardless of age, there isn't much that's interesting about it.

Metalcore/deathcore is a tired genre whether the genre's backers want to admit it or not. And Fayne pretty much regurgitate the same recipe as a million other bands. Whiney emo vocals, like Alien Ant Farm covering Michael Jackson's “Smooth Criminal”, or a third-rate Chino Moreno, trade off with your typical death grunts.

(I kid you not, mere seconds after writing that Alien Ant Farm bit, a guy walked in on me and when I shut it off for him to use the phone he says “Oh I know that one! Smooth Criminal! Alien Ant Farm!” To which I replied “You'd think so. But no.”)

Breakdowns a plenty and that djenty lack of flow comprise the bulk of their sound, with a fair share of guitar acrobatics and emotive solos. Some of those breakdowns are worthy of breaking a chair over someone's face (in a good way) but it's nothing countless others can conjure up.

Stuff like this sells whether I like it or not. I suppose it does have a market (a buddy of mine likes it) among the melody deprived karate dancers. And for what it's worth it sounds good. But despite production values that make The Queen of Kings sound as clean as a waxed asshole, it doesn't change the fact that what's coming out is shit. And it doesn't smell like roses either.

Released November 20, 2014

The Queen of Kings on Bandcamp

Fayne on Facebook