Most of the February releases I wanted to check out droppped on February 28 so I had to take some time to digest them before throwing some recommendations out into the void. Speaking of the void...
Naxatras - V
It's hard to assign a particular sound to Naxatras. The Greek artists expertly blend prog and psychedelic rock with space rock and a bit of stoner. But V feels like a journey through space. Not emptiness but all the wonderful and awe-inspiring planets and places and processes we may never see. Their use of groove and rhythm on tracks like "Numenia" feel firmyl rooted in humanity and its earthly heart. Best of both scenarios. Anyone who has been reading lately should know how much "escapist" albums pull me in. V does just that. An expansive album able to push away the day to day. Naxatras binges are always a heavy trip.
Year of the Cobra - Year of the Cobra
We kick things up a notch with the newest from Year of the Cobra. Their third album just happens to be self-titled. It does feel like a step up but not a redefinitition that some bands do when releasing a self-titled that isn't their first album. You know what I mean. Again, it's not different from their first two albums just...more. The duo of drummer Jon Barrysmith and bassist-vocalist Amy Tung-Barrysmith (yes, they're married.) have added more emotion, more dynamics, more expression to their already doom-laden stoner heaviness. Amy gets more out of her bass than most guitarists with way more strings and you can really feel how much Jon is locked in. I've been a fan from the start. I feel like i've listened to Year of the Cobra more than Ash and Dust and ...In the Shadows Below combined though. And it's probably not even close. It's a banger.
Uncle Woe - Folded in Smoke, Soaked and Bound
You may also know I'm a dedicated fan of Uncle Woe. Obviously I'm going to include Folded in Smoke, Soaked and Bound. Now, Spotify says it was released February 28 and Bandcamp says March 1 so I'm putting it in February because I already have my three recommendations for March and I HAVE to include this one somewhere. Folded in Smoke is not an album but rather a 10" consisting of two 8+ minutes tracks. The 10" is pretty special and not for the casual collector but it's worth it for a big fan like me. I just love how Rain Fice and Mark Whitworth can move me with melancholy and despair. There's so much emotion and grace. And power. The band really put it best themselves, Folded in Smoke "ponders and sprawls and creeps and whispers and slithers, but still ends up as dead as everything else". Honestly, I'm envious of Rain's ability to make real the intangle feelings we have inside.
Honourable mentions to III by Yawning Balch (so good), and Dark Green by Tumbleweed Dealer (pretty cool). III by Red Eye and The Wolfe by Dope Smoker are pretty good too.
February Playlist -> RIGHT HERE Only Naxatras on this one.
Here's March too. it's pretty much done. MARCH PLAYLIST Year of the Cobra, Uncle Woe and others are here.
Showing posts with label uncle woe. Show all posts
Showing posts with label uncle woe. Show all posts
Thursday, March 27, 2025
Sunday, April 7, 2024
Album of the Month - March 2024: Uncle Woe - 'Oblivion and Further Disaster'
Ya know, I can't even remember how I came across Uncle Woe exactly but since hearing 'Pennyfold Haberdashery and Abbatoir Deluxe' a couple years ago I have made Uncle Woe music a part of my life. A place to go for refuge. A sound I can wrap around myself and become seaparte from the outside world. This month's outstanding release, 'Oblivion and Further Disaster' adds another layer of protection. A thick, insulating layer. Thick in tone, thick in emotional heft, thick in vocal expression.
I suppose those are the attributes one looks for when searching the doom forests for a balm for your soul but finding the unique combination that just clicks is becoming increasingly rare. Uncle Woe, and 'Oblivion' in particular doesn't so much click as slide gently into place. As loud as the tube amps get, and they get loud, as heartwrenching as the wails become, as forcefully as the drums impact, there's a soft quality that's hard to define but it definitely isn't as harsh and potentially brittle as a click would suggest. The connection is intuitive, sub-atomic, and seemless.
Throughout 'Oblivion' I often find myself almost frozen. The massive doom riffs, slow and patient, hold me in place. Not through oppression so much as thickening the space around me. The vocals, disorienting, calling from the mists beyond the pines, make my bones vibrate. It's about the frequency. The frequency of life. Uncle Woe is tuned into my frequency, or the other way around. I mean, it's miserable music much of the time. It's not happy. I'm generally a happy person. I practice being happy. But I've yet to acheive spontaneous and everlasting happiness. Suffering and delusion still hold sway over parts of my mind. That's where Uncle Woe comes in. Matching frequency, acting as a channel for expression even if it's just between my ears.
I've matured to a point where the music I really connect with largely depends on how it makes me feel. Sometimes that involves shaking my hips like I'm looking for tips, head-and-shoulder groovin', or in the case of doom, the feeling moves inward. Mind and soul. Uncle Woe is good for my heart and soul. Perhaps 'Oblivion and Further Disaster' will be there for you too through your own oblivions and further disasters. Only one way to find out.
Full March 2024 Spotify Playlist (this Unlce Woe release is not on Spotify)
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