AOTY #16: Municipal Waste - The Fatal Feast

Everyone's favourite party thrashers Municipal Waste brought the fun to 2012 with The Fatal Feast. A (loose) concept album about a space mission gone cannibalistically wrong? Fuck yeah bro! Sign me up! The energy and intensity level of this album is through the roof. One of the albums I played the most this year, it was perfect for any mood or occasion. Feeling down? MuniWaste will turn that frown upside down! Bored? Problem solved! Listen to The Fatal Feast! Feelin' good? Crack a beer and spin this shit! It's fuckin' party time! The Fatal Feast will help you cut the grass in half the time! Give you the extra energy to split wood with ease! Entertain the kids by moshing around the living room! Put it on while enjoying a nice plate of spaghetti and...well maybe not while eating. Anyway, my point is, this album is (pay)loads of fun without being stupid and still being technically and vocally fantastic.

(Nuclear Blast)

www.facethewaste.com

AOTY #17: Mutilation Rites - Empyrean

Yet another debut full length makes the list in the form of Empyrean from Mutilation Rites. This is one seriously vicious album of depraved American black metal. Yeah, it's depraved. It's American. And it sounds like it was made by depraved Americans. The album is relentless. Blistering speed is paramount yet the band can pull back when need be. But even at the tempered speeds, Empyrean is still punishing. Maniacal screeching vocals, filthy tone and killer riffs, and sickening drum work bring Mutilation Rites to the forefront of the blackened metal scene on this side of the pond. It's disgusting, it's grimy, it's sinister in every way and it gets better every time I hear it.

 (Prosthetic Records)

(But I also recommend the vinyl from Gilead Media)

Mutilation Rites on Facebook

AOTY #18: Amenra - Mass V

Amenra's Mass V is a dark and atmospheric piece of music. The haunting vocals will rip your heart out of your chest. To really understand how I feel about this deeply emotional album, you should read the review I wrote for Ghost Cult Magazine.

www.ghostcultmag.com/2012/12/amenra-mass-v.html

(Neurot)

www.churchofra.com

AOTY #19: Ufomammut - ORO: Opus Primum and Opus Alter

 2012 saw not one, but two releases from Italy's psychedelic doomsters Ufomammut. Opus Primum and Opus Alter make up ORO, a sprawling two part concept album exploring the alchemical process of making gold from baser metals. The massive soundscapes and psychedelics touches make the world seen alien.  I suppose the world would seen that way as ORO takes you deep down to the molecular level. Your sense of perspective gets skewed as Ufomammut transport you beyond this realm of perception. I don't use the word transcendental very much but I will here. Many times I completely lost myself amidst the layered vocals, the drone, the repetition, and the crushing low frequency walls of sound. The scale of vision that Ufomammut has in putting together this awe inspiring package is unfathomable to my feeble mind. I've been a fan since their debut (Godlike Snake) and I feel ORO may be their best yet.

I had to retire my beloved Ufomammut shirt recently as well. I put my finger right through it putting it on. Sad day indeed.

(Neurot Recordings)

Ufomammut Official Site

AOTY #20: Royal Thunder - CVI

Like Horisont, this was another one of those releases in which I had heard some trusted sources raving about it and gave it a shot. I heard the stream of "Whispering World" and fell in love. Not to take away from the rest of the band but bassist/vocalist Mlny Parsonz is the real star here. She has such an incredibly powerful and dynamic voice. It can be soft and sweet, or raspy and edgy. I could definitely see her becoming a role model for a new generation of young girls who want to rock hard (My girls like Royal Thunder anyway. And Witch Mountain. Uta Plotkin has some stellar pipes too.). Royal Thunder isn't just about that voice though. CVI is loaded with instantly memorable songs with massive hooks, southern groove and a whole lotta soul. Royal Thunder have something special going on here. Let's hope they get even better. Man, I really should have gone out to see them when they rolled through Ontario with CoC.

(Relapse)

Royal Thunder on Facebook

2012 was too short.

I listen to a lot of music. Not enough, but a lot. But inevitably there is going to be a huge number of albums that for one reason or another (mostly time) failed to make it past my ears at all, or I only heard them once or twice. The following is a list of such albums that I think I would have really liked but never got around to. Or at least wanted to hear.

Bell Witch - Longing (Profound Lore)

Dysrythmia - Test of Submission (Profound Lore)

Dragged Into Sunlight - Widowmaker (Prosthetic)

Bastard Sapling - Dragged From Our Restless Trance (Forcefield Records)

The Great Sabbatini - Matterhorn (No List)

Early Graves - Red Horse (No Sleep)

Satan's Wrath - Galloping Blasphemy (Metal Blade)

The Sword - Apocryphon (Razor & Tie)

Winterfyleth - The Threnody of Triumph (Candlelight)

The Shrine - Primitive Blast (Tee Pee)

Sons of Otis - Seismic (Small Stone)

Afgrund - The Age of Dumb (Willowtip)

Tribune - Elder Lore/The Dark Arts (Corpse Corrosion)

Uncle Acid & The Deadbeats - Blood Lust (Rise Above/Metal Blade)

And probably a dozen more I just can't remember. Some I have and just haven't heard, some I have yet to acquire. Hook a (broke ass) brother up labels!!

AOTY #21: Cannibal Corpse - Torture

It's Cannibal fucking Corpse. Justification done. Fine, I'll write more. No one reading this can deny that Cannibal Corpse are the undisputed Kings of Death Metal. For 25 years now Corpse has been soaking the death metal landscape in blood, guts and gore. Torture is no different. George "Corpsegrinder" Fisher's hyperspeed growls, guttural bellows and shrieks front unfuckwithable musicianship. (Kneels at the feet of Alex Webster.)  For the most part, CC don't change up the formula on this release maybe other than "Scourge of Iron". It's pace is dropped back to a relative crawl. A comparative zombie in lead boots. But I can almost guarantee that lurching rhythm will be the riff stuck in your head. To reiterate. Cannibal.fuckin.Corpse. Torture. Don't make me (insert paraphrased Cannibal Corpse album title) you.

(Metal Blade)

Cannibal Corpse Official Site

AOTY #22: Horisont - Second Assault

I told you Witchcraft weren't my highest ranking Swedish retro-rockers this year! Horisont are a band I was unaware of prior to this year. I had heard some valued colleagues talking the band up so I gave in and checked them out. Am I ever glad I did. Second Assault sounds quite genuinely '70s retro. From the tones, to the riff style, to the slightly higher pitched and somewhat strained vocals. The riffs and vocal lines are catchy as they come and production is great. They don't sound like a band trying to be retro. They sound that a band that just IS retro. Most of the time I listened to this in the car (highly effective driving music and inoffensive to the family!), or on the kitchen stereo (any meal tastes better if prepared with Horisont playing), but on the headphones it just sounds sooooo good. That bass tone is dead sexy. The whole album is sexy! I'm a big hippie at heart so that fact that I love this is really no surprise. Just do yourself a favour and check it out. I don't think enough people have. It's criminal, man.

(Metal Blade)

Horisont on Facebook

AOTY #23: Meshuggah - Koloss

My relationship with Meshuggah is on again, off again.  I loved Chaosphere, but couldn't even make it through obZen. Other albums were hit and miss. So with Koloss we can declare the relationship on again. I'm no expert but I understand Koloss is a return to a more groove oriented approach for the band. Perhaps it's that underlying fluidity complementing the signature Meshuggah "djent" time signature mindfuckery that won me over this time. Not to mention the absolutely phenomenal drumming of Tomas Haake and the intensely unique vocalist, Jens Kidman. I can hear his facial expressions. I went to bed listening to Koloss a few times after some "herbal" medicine and I'm really surprised I didn't wake up completely insane.

(Nuclear Blast)

Meshuggah Official Site

AOTY #24: Eluveitie - Helvetios

I don't think anyone was more surprised that I liked Helvetios more than me. Let alone that it would end up in my Top 25. In general I'm not a fan of folk metal. I can't think of a folk metal band other than Eluveitie that doesn't make me gag. (Primordial is not considered folk metal, correct?) What it is about Helvetios that has captured my heart is hard to say. There must be some intangible that has connected with me. The hurdy-gurdy, the flute, the story telling, the uplifting melodies, the way it makes me want to dance a jig and headbang at the same time? Who's to say? All that needs to be said is that this enjoyed HEAVY rotation all year long.  I vaguely recall not being stoked on previous releases from this Swiss collective but I love love love Helvetios. But don't think this will be some kind of folk metal gateway drug. I've taken a stand and I...will not...BOW!!!!!!

(Nuclear Blast)

Eluveitie Official Site

AOTY #25: Samothrace - Reverence to Stone

Two tracks. Too good. Reverence to Stone from doomsters Samothrace is an incredibly powerful and transformative album. It's heavy and lush and rips the listener away from the real world enveloping them in its emotional soundscapes. For a clearer picture of what I mean, you can read my full review at Hellbound.ca below. 

Samothrace - Reverence to Stone

(20 Buck Spin) The LP is only $12.99!

Samothrace on Facebook

AOTY #26: Deftones - Koi No Yokan

Deftones can be considered the survivalists of the nu-metal age. Not only because they are one of the few bands in and around that style still making relevant music but also due to their drive to push forward as bassist Chi Cheng continues to recover from a devastating car accident. For a complete breakdown on my thoughts about Koi No Yokan, you can check out my review for Hellbound.ca!

http://www.hellbound.ca/2013/01/deftones-koi-no-yokan/

(Warner Music)

Deftones Official Site

www.oneloveforchi.com

AOTY #27: Napalm Death - Utilitarian

I can't say I've been a lifelong Napalm Death fan. Solely because I had never heard them prior to Enemy of the Music Business. But I've been a fan since then! My appreciation of the band reached a whole new level when I saw them play in Kingston back in October 2011. That date was the first of the tour that saw them premiere the song "Quarantined" from Utilitarian. What a privilege. So it was with great anticipate that I awaited the release the album. And it was not disappointing. Unquestionably a Napalm Death album, Utilitarian did have some surprises up its sleeve. Such as the free-jazz saxophone blast on "Everyday Pox" (which I'm still not sold on, by the way.). Guitarist Mitch Harris's shrieks complement the mad mastiff barks of Barney Greenway as the incomparable rhythm section of Shane Embury and Danny Herrera complete the fury of Utilitarian's socially conscious, highly intelligent and thoroughly vicious grindcore. I'll end this blurb with the only phrase I wanted to use. (Which wouldn't have made for very interesting reading)

It's fucking Napalm Death! What more do I have to say?

(Century Media)

Napalm Death Official Site

AOTY #28: Conan - Monnos

I must admit I am a sucker for tone. If you have the right tone, I will get on my knees and kiss your feet. I'll have to do just that if I ever cross paths with Conan. Their album Monnos has tone in spades. The warm textures brought forth by their monolithic riffs could ward of hypothermia better than the thickest coat of furs. The resonant frequency with which the drone and sludge emanates matches the vibration of mine own body and mind. The crushing riffage and (largely) chanted vocals elevate Monnos to another plane. Conan will lure you in with a hypnotic slo-mo groove only to deliver a knock-out punch with a shift in drum tempo or a roundhouse riff. One could use all manner of cliched adjectives to describe the glory of Monnos, but one thing is for certain; this album is as muscular and epic the band's namesake. Tremble weaklings, before the mighty Conan!

(Burning World)

Conan Official Site

AOTY #29: Evoken - Atra Mors

I don't believe I have as of yet been able to fully appreciate all that is Evoken, but Atra Mors may be the (anti-)stimulus needed to realize the totality of Evoken's vision. As the album completes its peregrination, all the while dragging its toes as the mud sucks at the feet, one is transfixed by the unburdenable weight placed upon them. Atra Mors is unconscionably heavy. The gravity here comes not only from the ungodly low tuning but from the mood the album creates. The unbearable sadness of deep loss saturates the very fabric of the album robbing the listener of the ability to feel joy. Piano and synths augment the guitar and impeccably perform drums to create vast soundscapes capable of transporting the consciousness beyond this realm. Atra Mors is funeral doom at its best. It's unfathomably slow, brooding and depressive yet never boring as it injects flashes of light to stimulate the heart.

(Profound Lore Records)

AOTY #30: Indesinence - Vessels of Light and Decay

Few releases of 2012 pack as much atmospheric punch as Vessels of Light and Decay. Just as the hooded figure on the cover invites the child into the void (the extended artwork is pretty fantastic) Indesinence invite us into stunning darkness. Vessels is a doom laden death metal journey through the blackest regions of the soul. The pounding riffs and doom passages stack layer upon layer of emotion onto the listener. The burden is heavy yet well received for those inclined to the melancholic. These Londoners have summoned a superb ode to the pits of human suffering.

(Profound Lore Records)

Indesinence on Facebook

AOTY #31: Liberteer - Better To Die On Your Feet Than Live On Your Knees

Liberteer is the singular vision and execution of Matthew Widener. BTDOYFTLOYN is a politically charged grind album the likes of which you have never heard before. BTD is incendiary in its entirety as it stokes the fires of rebellion. Cutting through the vicious grind are horns and pipes to remind us that this is about war. Civil war. But a new kind of civil war. Not a geographical or religious war. This is a war against the centralization of wealth and power. Us vs, Them. A rallying cry for The 98%. And just as much so a war against complacency. Riffs and themes circle around and are ever present, holding the album together as it threatens to unravel under the force of its own fury. BTD is compellingly powerful and those horns can make a patriot out of anyone. The album is unique, uncompromising and unrepentant. It's insightful and inciting, and quite possibly the most meaningful album of the year. BTD will punch you in the face and grind you under its boot and you'll pop right back up with a "Thank you sir may I have another!!"

 

(Relapse Records)

 

liberteer.bandcamp.com

AOTY #32: Aeon - Aeons Black

I don't feel like Aeon get enough credit in the greater death metal scheme of things. Hopefully Aeons Black can change that. Aeon may lean a little more towards execution over evolution, but there's nothing new under the sun anyway. Aeon, and this album especially, slide right into the space on the shelf between Cannibal Corpse and Deicide. Gloriously blasphemous with a classic DM feel, Aeons Black is whiplash inducing and throat shredding. With killer riffs and satisfying solos, catchy vocal lines, and enough determined fury to burn down a stone church, Aeon are quickly becoming one of my favored death metal bands. Perhaps Aeon will win another Kingdom of Noise Death Metal Song of the Year Award. The "Where's your Saviour?! Where's your God?!" part in the title track makes a strong case!

(Metal Blade)

aeon666.com

AOTY #33: Kowloon Walled City - Container Ships

This would be the point where I paste a link to the review I already wrote, but it hasn't been published yet. In that case, I'll do my best to summarize.

Container Ships (Brutal Panda) is a really heavy album. Its weight comes from both its tone and lyrical content. Huge, awe-inspiring riffs and lyrics you can relate to make this more than just a ship passing in the night. Yet, after talking with bassist Ian Miller and guitarist/vocalist Scott Evans, the size of the album has nothing to do with their egos. They are just four normal guys making the music that comes out of them. And the dirty doom rock that results just happens to be really, really good. The album is sonically immense, unassuming and to be honest, quite captivating. You could catch a ride in the wake of Container Ships, but I recommend getting right on board.

(Brutal Panda)

inthewalledcity.com

AOTY #34: Nihill - Verdonkermaan

I'm gonna be lazy on this one and just link to the review I already wrote. And I will do the same for subsequent entries on the countdown. I'm that lazy.

http://www.hellbound.ca/2012/11/nihill-verdonkermaan/

Read it. And be frightened, 

Buy this from Hydra Head. Now. Here. Its SOLD OUT on CD. That makes me cry. In a good way.

AOTY #35: Testament - Dark Roots of the Earth

I was first introduced to Testament in a friend's car back in 2001 outside the bar where the staff Christmas party was happening. Needless to say, Testament was better than any of the crap that was playing in the bar. The band kinda faded from memory from that point til The Formation of Damnation was released. With that album and this year's Dark Roots of the Earth, Testament have usurped their thrash metal brethren. The last two albums have been far and above anything released from the "Big 4". There's really no other way to state it other than this album is fucking awesome!! Chuck Billy's very poignant lyrics and Alex Skolnick's slick guitar work meld to create just an amazing album. And did I mention the incomparable Gene Hoglan on drums? I mean really. Sickeningly catchy with songs that actually mean something makes Dark Roots a must-have for any thrash fan. This is another one of those albums that makes me really sad I can't grow my hair out long. Well, I could but it would be a skullet and the wife won't go for that. Hahahaha. In the meantime, I'm content to thrash away and air guitar my balls off to Dark Roots of the Earth. This is metal. My real good bud Todd might gimme a blast of hell for ranking this so low but dude, you know this kicks major ass and I could spin it every day without hesitation. 

AOTY #36: Witchcraft - Legend

I've been a fan of Witchcraft for years. However, I must admit that Legend didn't wow me the way I hoped it would. The five year wait since The Alchemist most likely made my expectations higher than they should have been. The single "It's Not Because Of You" did lead to heavy repetition though. Thankfully after a few spins the strength of the album became apparent. It's all about the riffs on Legend. It's stupendously catchy from front to back and Magnus Pelander's voice begs to be sang along with. Did I mention the riffs? Just incredible. Every time I listen to this I love it more and more. Legend packs a retro feel, brilliant songwriting and plenty of soul into its 57 minutes. Oh and "White Light Suicide" may be one of the best songs I've heard all year. I do believe it is mandatory I get my dirty mitts on the vinyl version of this pronto. That being said, this isn't the best Swedish retro rockin' album on my list this year. Stay tuned.

Available from Nuclear Blast.

AOTY #37: Begrime Exemious - Visions of the Scourge

What's not to like? Edmonton's Begrime Exemious rupture eardrums and speakers alike with Visions of the Scourge. Insanely relentless, this blasphemous death metal blast is fueled by adrenaline and sickness. Visions is pedal to the metal fury with an underlying rhythm demanding the most furious of headbanging. We're talking thrash levels of ripping speed. Disgusting black metallic vocals frighten wives and children alike as fathers/husbands (me) raise invisible oranges in demonic triumph. It's albums like this that are making Dark Descent a label to watch. With a little lineup stability big things could come out of the Begrime camp.

begrime.orphy.net

AOTY #38: Dying Fetus - Reign Supreme

  

Being the first death metal album to grace my Top 40 this year, Reign Supreme from Dying Fetus proves that I'm more interested in the veterans of the genre than most of the new upstarts. It's the band's excellent balance of outright brutality and brilliant technicality that really strikes a chord with me. It's devastating and dexterous all at once. Everything about it is what makes death metal one of my favourite genres. The vocals, the catchy riffs, the destruction. And that intro to "From Womb To Waste"? That takes balls. I really should have ranked this higher. Too late now!

Relapse Records

AOTY #39: D.I.S. - Becoming Wrath

Few bands are as appropriately named as D.I.S. See, that acronym stands for Destroyed In Seconds and that is exactly what Becoming Wrath does to the environment in which it's played. This is a half hour of furiously vicious d-beat hardcore I feel privileged to have heard in advance of its November release date. I can be a sucker for that Swe-death tone but it's really the energy that draws me to this Los Angeles band. They spew relentless fury that infects my nervous system and compels me to act in violent ways. A favourite while I'm splitting wood, the ripping riffs, bile soaked vocals and angry drums infuse me with power. Becoming Wrath's ability to distract the listener from the real world can get dangerous. Preparing meals with sharp knives, swinging the aforementioned axe and driving a car while listening to this album should be undertaken with the utmost care. The thought of seeing D.I.S. live both frightens me and makes me crazy with anticipation. Someday maybe.

AOTY #40: Cancer Bats - Dead Set On Living

Toronto's Cancer Bats have become a perennial entrant on my Top 40 lists. Dead Set On Living. As with Bears, Mayors, Scraps and Bones, just squeaks onto the list. This band always makes me want to move and scream out the lyrics. DSOL took me a little longer to get into than previous releases but once it grabbed hold it never let go. 'R.A.T.S.' and 'Road Sick" in particular caused some sore throats. Their Southern fried hardcore (ugh, I feel so cliched even typing that) is basically a really fun, high energy formula for having a good time. Their positive energy rubs off on the listener. I am really looking forward to FINALLY seeing them live this February.
Buy it from Metal Blade here.

Kingdom of Noise Top 40 of 2012 Countdown

As I have done for countless eons (well, 5 years) I'll be counting down the 40 albums that rocked my world in 2012. They aren't "the best" in the traditional sense. This is no democracy. These are the albums that I wanted to listen to the most. And did listen to the most. 2012 has been a crazy whirlwind year for me. In addition to KofN I started writing for Hellbound.ca and GhostCultmag.com. The new year will see me take on yet another "job" writing short reviews for about.com/heavymetal! This is could all cave in on me at any moment but I'm just running with the momentum. Anyway, I better start this countdown eh?
Here are the albums that almost made the cut. Any given day they could crack the top 40 but at some point you just have to call it a day and finalize.
The also-rans (in no particular order):

Pig Destroyer - Book Burner (Relapse): Great but I still don't hear what makes them special.
Converge - All We Love We Leave Behind (Epitaph): Not sure why this one didn't connect this time.
Hooded Menace - Effigies of Evil (Relapse): Starting to get formulaic.
Incantation - Vanquish in Vengeance (Listenable): Killer OSDM.
The Secret - Agnus Dei (Southern Lord): Could be Top 20 any given day.
Wizard Rifle - Speak Loud & Say Nothing (Seventh Rule): I don't really like noise but this is awesome.
Vision of Disorder - The Cursed Remain Cursed (Candlelight): What a return!
Author & Punisher - Ursus Americanus (Seventh Rule): Innovation, not a gimmick.
Xibalba - Hasta La Muerte (Southern Lord): Break down the ugly hardcore.
Witch Mountain - Cauldron of the Wild (Profound Lore): No doubting Uta's voice.
Norska - Norska (Self-released): Hard time keeping these doomsters out of the Top 40.
Encrust - From Birth to Soil (Self-released): Eardrums fully Encrust-ed.

Shooting Guns - Born to Deal in Magic: 1952-1976

I kept hearing great things about this Shooting Guns band but never really paid much attention. Most of the praise came from a resident of Shooting Guns' home base of Saskatoon. Therefore, I assumed a local bias was at least partially responsible. Much like the way I fawned over Kingston's I Hate Sally (RIP) and Guelph's Arise and Ruin (also RIP)(I lived in Guelph for 3 years). I might never have known how wrong I was about that bias had Born to Deal in Magic :1952-1976 not shown up in my inbox. I love being wrong.
Drinking deep from the well of doom (anti)luminaries Black Sabbath ("Dopestrings") and Electric Wizard ("Harmonic Steppenwolf"), this instrumental quintet has conjured a gem of an album from the ether of those cold prairie nights. Born to Deal's fuzzed out jams flow with hypnotic grace, lulling the listener into a state of total bliss. Sharp angularity has no place here as the smoothed edges of the groove transport you to a land of complacency. No need to worry about anything as you let the swell of psychedelia wash over you in waves of calming vibration. The wall of sound created is anything but oppressive. It feels more like non-violent explosions of warm light blooming in the darkness, the riffs floating on a sea of synths. EW and Sabbath aren't the only tributaries feeding these dark yet tranquil waters. Streams of Clutch ("Public Taser"), the almighty Sleep ("The Last Great Depression") and Karma To Burn ("Liberator") filter through the bedrock to augment the effectiveness of Born to Deal until you're neck deep in numbing coolness. Overdriven and delay-soaked, Shooting Guns drown the listener beneath texture and layers of sonic serenity. Not merely content to wallow in subsonic frequencies at an easy pace, "Stay Awake Forever" is a Hammond-drenched ride down a space highway with a Steppenwolf patch on its jacket while album closer "Cheater's Justice" sounds heavily informed by early Monster Magnet. And we can all use more Monster Magnet influence in our lives. It may sound like a lot of name dropping but this is no album of ripoffs. Shooting Guns merely take a queue from killer bands and reconfigure those methodologies into something unique and wholly satisfying.
It's been a while since I've heard something I'm so comfortable in labeling "stoner rock". But not even in the sense that it's music for stoners as much as music that makes you feel stoned. It's cantering rhythm and "bathed in smoke" feel pull the listener away from the physical sensations shackling them to their Tellurian existence to transcend dimensions on a cosmic trip. Pack your (dime)bags and bongs my friends, this is one journey you can't afford to miss.

Any band that can take a handful of my ALL TIME favourite bands and sew them into an album of considerable greatness is worthy of all the praise I can throw at them. I can't get enough. Get some. NOW. 

http://shootingguns.bandcamp.com/album/born-to-deal-in-magic-1952-1976

NEW AXESLASHER SONG

I meant to post this a while ago but internet issues put a kink in that plan. So without further adieu, here's a new track from the upcoming EP Anthology of Terror Vol 1 from thrashers AXESLASHER!! Mark of the Pizzagram - Invasion of the Babe Snatchers!!

Mark of the Pizzagram - Invasion of

And don't forget to go to www.axeslasher.com to order your Pizzagram shirt!! Click the Tweet button and 50% off!!

PIZZA!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Mortor - Shoot 'Em Up

I find myself typically listening to a lot of doom, sludge, black metal, death metal and various mutations and mixtures of said genres. So, when this Mortor album turned up in my mailbox, I was struck with a refreshing change of pace. These Ottawa death-thrashers play a straight up, no frills, headbangin' style of metal on Shoot 'Em Up  This album is another notch in the bedpost of what is turning out to be a stellar year for Canadian metal.  What Mortor brings to the table is much like a home cooked meal. You pretty much know what to expect (death metal and trash) but all the same it's wholly satisfying and nourishing. This is not to say that Shoot 'Em Up is bland or lacking in excitement (like mashed potatoes EVERY FUCKING DAY. Sorry Mom). What I mean here is that Mortor is not out to dazzle with a flashy display disguising a lack of substance.

Founded by rhythm guitarist Dave Paquette and rounded out by drummer Jay Cross, Bassist Jonathan Boulay, lead guitarist Antonin Perras-Foisy and vocalist Yolin Lafreniere, Mortor packs that meal for the road and carries it through 14 tracks of solid and muscular metal sure to put hair on your chest. Part of the appeal of the album is while Mortor draws influence from some of thrash and death metal's best, they don't sound like they are ripping those bands off. The familiarity of the overall sound puts the listener at ease and let's them connect with the music in an effortless way. However, the lyrics aren't likely to put anyone at ease. Lafreniere's death metal bark is all about the violence, war, guns, guns and more guns. But that much should be obvious given song titles like "Locked and Loaded", "Trigger Happy", "For Glory" and the title track. His vocals may not be the most dynamic but I'm a sucker for good death metal vocals. In this case, they remind me of early Cannibal Corpse or even Nathan Explosion of Dethklok, but my initial thought was of Krisiun's Alex Camargo.

Comfortable at a range of bpms, Shoot 'Em Up never sounds like the same song over and over. From the blistering "Trigger Happy" to the chugging parts of  "Clusterfuck", and the mid-paced banger "Infidels", your neck should get a varied work out. While you're busy giving your chiropractor fits, the shotgun spray of catchy riffs will bury themselves deep in the flesh. With almost all of the tracks clocking in at less than four minutes, Mortor is a very efficient unit. Each song a well-planned mission bent on accomplishing the goal without compromise and no prisoners. Perras-Foisy's slick leads, Paquette's pummeling rhythms, Cross's concussive percussion and Boulay's rock solid bass combine to create a well-trained force fueled by the meat and potatoes of classic death metal and thrash. There's even some hardcore punk flavour thrown in on "Let's Deflagrate" (that bass lead is sick! Pardon my slang.) just to throw the enemy off.

Produced by Augury's Mathieu Marcotte and mixed and mastered by Cryptopsy's Christian Donaldson, the album is crisp and clear without sounding overproduced. I usually don't comment on production but in this case it really stood out for me. In addition, Marcotte and Donaldson lend their shredding talents to the solos on "For Glory" and "Point Blank" respectively. Shoot 'Em Up is a full clip best unloaded at full volume. It fires on all cylinders and finishes in a blaze of glory. No need to ration as Mortor serves up a full meal between an appetizer of Six Feet Under's Undead and a dessert of Testament's Dark Roots of the Earth. Eat up, Soldier.

http://mortor.bandcamp.com/